The Magic Flute One of the most mysterious, mystifying plays of all time, The Magic Flute by Wolfgang Amadeus Mozart is a fairy tale love story at first site, but in reality has much deeper themes and meanings. The Magic Flute Is largely known for It’s remarkable music and hidden symbols. The number three is widely incorporated as a symbol of masculinity and wholeness of the self. According to The Two Faces of Creativity, chapter 10 of Coming to Our Senses by Morris Barman, Mozart belongs to the type II category of creativity.
This category is described by creativity having been repressed, but not completely. In Mozart early years, his father ruled his musical ability and completely took over his life. However, as time went on Mozart started to take control of his life and talent and that Is when the real creativity showed. Mozart father Is represented in The Magic Flute by the character of Sarasota. He is loved by all and on page 334 of Coming to Our Senses described as “the priest of love”. The Heroic Cycle is a Journey a person takes to find their inner Self and become enlightened.
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In order to begin the Heroic Cycle a person must have a call to adventure and must be willing to risk everything they have to enter the transcendent realms and become whole. In The Magic Flute Tomato and Pamela and Apogees and Pageant are two sets of twins who are essentially two parts of one person. In order to become that one whole person the two boys must go through rough tests and trials to become men, fulfill their purpose, and reach their other halves. The initiations are “a quest of the human soul for both inner harmony and enlightenment y characters who are Joint participants In one being, one psyche or one soul. (Page 8, A Masonic Vision) These trials of Initiation are a time for Tomato and Apogees to really get to know themselves and who they really are. In The Passion of Sis’s and Souris, Jean Houston describes life as a series of initiations. Every step of the way you face new challenges and problems in which the accomplishments of them bring you a little bit closer to your self and the world around you than you were before. Taming and Apogees each embark on their trials with a deferent mindset. At the beginning of the play Taming was a helpless boy, pushed around by the Three Ladles.
He needed help becoming more masculine. HIS Journey now Is to grow up and become a more masculine, man. Domino’s journey represents the intellectual. No matter how hard it gets Taming knows that he has to man up and get through it in order to be with Panama. Apogees on the other hand, shows the emotional Journey and fighting with one self. Apogees doesn’t know why he must endure these hard, hurtful tests because he hasn’t connected enough with himself to understand it. At one point he Is psychological exploration of the self and the soul in order to have personal growth and enlightenment.
Taming and Panama represent each other’s masculinity and femininity. They need ;ACH other in order to have a perfect balance of the two. Panama is Domino’s muse, leading him on and being the reason for him to keep going. For the final and most difficult trial of initiation Taming and Panama must walk through the underworld, fighting off the souls of dead beings that weren’t strong enough to complete the Reunion. They pass through this final stage with the wholeness of being together, and Ninth the help of the magic flute. Now play your magic flute, for it will protect us on our way. ” The magic flute represents harmony and calm tranquil enchantment. It brings archetypes together in conjunction with one another. Often during the play En the magic flute is played, animals from the wild – who in any other circumstance would be fighting and ripping each other to shreds – come together peacefully being drawn in by the music being played as if in a trance. In order to find the Taming and Panama in us we must be calm and take the Journey of finding the soul.
In The Passion of Isis and Souris it says on page 192 “The magus is able to play upon the universe as though it were a flute. ” We must use the world around us to help us in our Journey and connect us to people, nature, and ourselves. Apogees and Pageant represent the child in us. When Apogees first sees Pageant as an old ugly woman, he doesn’t think about what he sees on the outside and has a great time laughing and singing with her. All people need to find the Apogees in them, not Judging others by what they look like, but rather looking deeper and getting to now a person’s personality instead.
In order to achieve inner harmony and enlightenment we must uncover the Romano and Panama in us. We must take the Journey to find our selves and overcome all the tasks and challenges of initiation every step of the way. We must become Manhole and connect with our souls. Every person needs an equal balance of masculinity and femininity in him or her. During the processes of becoming whole, rebirth occurs. The old self dies and a new whole being is born. That new person has achieved harmony and enlightenment.