Franz Joseph Heyday’s symphonies have echoed through out the ages and are often considered the building ground for other composers that are subsequent. He Is also referred to as The Father of Symphonies because of his aid In evolving the Symphony and he was one of the most productive composers in the classical era. He is well known for teaching Ludwig van Beethoven and evolving the sonata form (meaning a piece played opposite of cantata or “To Sing”).
Over the course of 106 symphonies, he ad become the architect of the classical style and paved the way for many other composers such as Schubert, Mendelssohn and Brahms. (All Music Guide, Para. 1) Haydn was born on March 31, 1732 in Aurora, Austria. “At the age of 8 he became a choir boy for SST. Stephens Cathedral in Vienna, where he had also learned to play the violin and the keyboard”. (All Music Guide, Para. 2) After Heyday’s voice broke, he was forced to leave the choir and he had to support himself by teaching violin lessons while he studied counterpoint and harmony.
In the late sass’s, Heyday’s music would become more popular among Noble Vienna Families. Then in 1761 he began his work for the Esters;oz family and remained there for 30 years writing operas and compositions In the formally summer place, Esters;AZ”( All Music Guide, Para. 4). Because he was so isolated from other musical talents and composition, he had no outside influences on his pieces and was “forced to become original. ” His musical talents had become popular beyond the families boundaries and began to write for other people.
Johann Peter Salomon, a violinist In London, was the first to offer Haydn a job allowing him to leave Vienna and start his travels abroad. By 1790, e was considered the greatest living composer in all of Europe, and the most prolific as well. He composed in Vienna, London, Paris and many other places then ultimately returning home to Vienna. He played his last concert on December 26th, 1803, and soon to follow, his death on May 31st, 1809. Unlike some composers before him, Haydn did not die Poor, but a rich and famous man.
Though his death was many years ago, the Influence he had on classical music Is eternal. Heyday’s talent as a composer often over shadowed those of a more famous stature. While Mozart had perfection and Beethoven had depth, Haydn had an extraordinary Allen in everything. He had created hundreds of musical pieces, more than Beethoven and Mozart and he had also excelled in originality and melody both of which unparalleled to the others. It was even Mozart who called him “Papa Haydn”. Night when every one was fighting to stay awake.
He found a solution to this problem by including fortissimo (A note, chord, or passage played in a very loud manner) in his symphonies during times that seemed to be quiet. His most famous example being “Surprise”, his 94th symphony that had fortissimo scattered across the song at the most unexpected places, a tactic that often worked. Most of Heyday’s musical pieces that involved quartets are still considered the finest three hundred years later. His most famous Symphonies being: Farewell (no. 45), Surprise (no. 4), Hen (no. 83), Military, Clock, Drum Roll, and London (no. Though Heyday’s originality in composing music is evident, he had been influenced by number of people. “Carl Philipp Emanuel Bach, Johan Sebastian Bach’s son, had Influence Heyday’s work”. (Music, Files Ltd, Para. 4) He was also influenced by Johann Stamina’s symphonies and Vivaldi Concertos. He as well was influenced by Mozart though Mozart work was primarily inspired by Haydn. Haydn had also had a younger brother who was also proficient in composing.
Michael Haydn followed his footsteps in the choir in Vienna and had eventually because almost as prolific as his brother with “40 symphonies and 12 concerti” (Music, Files Ltd, Para. 6), sometimes being confused with Josephs and Mozart works. Mozart was however inspired by Michael in some of his most famous pieces such as Requiem and symphony n. 41 . Much of what has been Franz Joseph Heyday’s life was dedicated to composing. He Nas a work horse that had evolved the idea of the classical form by his numerous homophones and concertos, whilst still maintaining originality in his content throughout his whole career.