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| meter not divisible into equal parts |
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| “recruiting” Roma bands (2 violins, 1 bass) |
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| national dance of Hungary, contrasting fast/slow tempos |
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| parlando-rubato/tempo guisto |
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| non-pulsatile emotional expression/ second half metrical and fast |
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| Le Mystere des Voix Bulgares |
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| Eurasian ethnic nomadic group (India/Europe), culture collectors |
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| traditional Roma musical group |
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| family from Spain, professional Roma musical group |
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| Irish musical group that brought tradiational Irish music to the world |
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| homoginization of Ireland |
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| Traditional Ireland- mouth music to imitate the bagpipe |
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| general classification of jig, reel, slip-jig. |
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| 1750 Scottland dance, 4/4 time, transmitted to Ireland, very lively, with periodic phrasing |
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| Irish compound meter 6/8 lively dance |
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| Irish 9/8 dance, feels in 3 |
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| Irish social gathering of singing and dancing |
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| traditional Spanish flamenco forms of deep sorrow song and dance in Southern Spain, Gipsies |
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| genre of Spanish music and Dance, the art of song, men/women sing, guitar playing |
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| E. Europe hammered zither, very large |
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| Bulgarian rim blown fulte held at an angel in front of player |
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| Bulgarian pear shaped vertical bowed fiddle w/ 3 gut strings (looks like short lute) |
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| Bulgarian bagpipe with a drone, blow-pipe, small set of pipes, melody on blown-pipe |
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| Bulgarian drone lute, long neck fretted lute w/4 strings or double courses |
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| huge triangle shaped lute with frets |
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| bagpipe, smaller, no blow-pipe, bellows under arm so you can sing |
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| bagpipe, larger, loud, blow-pipes, you can not sing, you must blow… |
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| National Irish symbol, played by bard-keepers of the geneology |
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| tin whistle (pennywhistle) |
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| Irish small metal flute, held in front of player |
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| Irish frame drum played with brush |
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| Bulgarian State Radio and TV Vocal Choir |
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| intended to preserve culture and governmental image. micromanaged, use parlando-rubato/tempo guisto |
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| keepers of the Irish geneology, harp players, travelers |
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| revived the bagpipe festival, he’s from Strakonice where Svanda the Bagpiper was from |
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| Bagpipe character from Strakonice |
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| The European town of Rezny and Svanda |
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| non pulsatal songs and rhythms,repetative dance rhythms, bright timbre, asymmetrical meters, follows speach patterns, epic songs, socialist realism (art that serves the state) |
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| Hungarian ethnomusicologist/composer, folk song collector |
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| Celtic musical instrument |
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| simple duple, slower heavy dance steps (sailor dance) |
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