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| judging music by its relationship to our own cultural experience |
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| music created by amateurs for their own community’s enjoyment |
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| music created by professionals for mass audiences |
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| music created by professionals but profit is less important than depth of expression |
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| marketing term for non-Western music |
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sounds of other cultures are used for their novelty or stereotypical
symbolic value |
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| study of music history (primarily history of Western art music) |
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| analysis of musical systems and compositions |
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| study of music as part of a people’s way of life |
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