|
|
|
|
|
| home of the Khorezm Maqam |
|
|
|
| home of the Ferghana-Tashkent Maqam |
|
|
|
| 250 pieces, 6 suites, each suite named after a melodic mode |
|
|
|
| parallels w/ Shashmaqam, but different melodic material |
|
|
|
| “six and a half”, alternate name for Khorezm Maqam, due to one suite only including instrumental |
|
|
|
lighter and faster, also more popular.
Alternatively called “Char”-Maqam, with 4 suites |
|
| What language are the texts in? |
|
| drawn from Persion and Chagatay poetry. |
|
|
|
|
|
|
| a small group of related pieces within one maqam |
|
|
|
|
|
|
|
|
|
| 2 stringed, long-necked lute |
|
|
|
| a bowed tambur, with one bowed string and 4 sympathetic strings |
|
|
|
| Plucked, long-necked lute, one plucked string and 4 sympathetic strings |
|
|
|
|
|
|
| End-blown double-pipe, each pipe with own reed |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Head of Dept. of Eastern Music, Tashkent State Conservatory |
|
| Viktor Alexandrovich Uspensky |
|
| Russian Musicologist who helped found Tashkent State Conservatory |
|
| Aleksei Fedorovich Kozlovsky |
|
| Wrote first symphonic composition of Uzbekistan, “Lola” |
|
|
|
| opera composed by Kozlovsky
goal to create opera that appealed to Russians and Uzbeks |
|
|
|
studied at Moscow conservatory,and aimed to blend Uzbek and Euro sounds
Hire a custom writer who has experience.
It's time for you to submit amazing papers!
order now
wrote Nawa’i |
|
|
|
| Mafioso from Khorezm, huge patron of the arts
neo-feudalism, displays of wealth |
|
|
|
| in Uzbekistan and Tajikistan, male gathering with food, drink and music, where a mullah leads a discussion on a religious topic |
|
|
|
| term used by Levin to describe a musician who lives an “exemplary life”, dedicating their life to playing music for worship |
|
|
|
| non-conservatory musician, criticizes the “freezing” of the Shashmaqam
He takes a freer, “alive” approach to Shashmaqam |
|
|
|
|
|
|
| set songs to poetry of 12th century poet, Yassawi |
|
|
|
| Pop queen, studied at conservatory |
|