1:5
-overtone singing: produces fundamental pitch and changes his mouth position to isolate overtones
-khoomi
-Mongolia
1:11
-healing ritual that features drums and dancing, female possessed by asyad (supernatural being) dances to convince the spirit to leave her body
-zaar
-egypt
1:12
-about inspiration and creativity and composition of music, received from spirits and belongs to him
-singer and didjeridu
-australia aborigines
1:18
-throat singing but has lower tones
-blind blues musician Paul Pena
-Tuva
1:19
-12 bar blues song
-scale fundamentally pentatonic with blues notes added
-syncopated backbeat rhythm
1:22
-additive meter 2+2+3, made for dancing
-brass band playing
-Roma people from Romania
1:23
-drum beats are in quadruple meter
-“hoi” is syncopated
-bhangra dance music
-India
1:25
-free rhythm in beginning, becomes metric when the drum enters (shows time and form)
-classical/art music
-South India
1:26
-musical terraces (descending melodic phrases
-dance music genre
-Native Americans of Great Plains
1:28
-chords played by guitar
-bossa nova piece
-Brazil
1:36
-melodically tuned membranophones (taganing)
-Indonesia
1:37
-idiophone: buzzing aesthetic
-Mbira genre
-Zimbabwe
1:38
-heterophony (singers and flute): same melody in varied versions
-Sufi Chant
-Egypt
1:40
-polyphony (multiple melodies at same time)
-music and society (polyphony = egalitarian)
-Sung polyphonic genre
-Central Africa
1:42
-hocketing (interlocking parts produce complete part)
-pan-pipe music
-andes mountains
1:47
-form of song is IABABSB
-polyphony
-Zimbabwe