|
|
| artists distort reality for an emotional effect |
|
|
|
| Style used by Dizzy Gillespy and Charles Parker, fast tempos & complex harmonies. |
|
|
|
| Form follows function in architecture. Zorn, Adams, Rochley |
|
|
|
| French artistic movement first applied to the paintings of Claude Money |
|
|
|
| Large ensembles meant to be heard across big dance floors |
|
|
|
| commonly called avant-garde |
|
|
|
| music born of anonymous authors passed down by word of mouth |
|
|
|
| principles from past music applied to modern music. Stravinsky |
|
|
|
| The loosest possible framework for free exploration |
|
|
|
| Speaking voice. Pierre Luniere. Asks person to speak on pitches |
|
|
|
| 1970s style that fuses jazz and rock and roll |
|
|
|
| Artistic style featuring suggestion rather than outright statement |
|
|
|
| A western music from the US featuring unredictability and performance |
|
|
|
| also referred to as serialism |
|
|
|
| Jazz stemming from Latin American musicians |
|
|
|
| An outsider’s art which emphasized harmony outside of tonality |
|
|
|
| Used by Joplin to operate player pianos, used to demonstrate proper music |
|
|
|
| Used by Joplin to operate player pianos, used to demonstrate proper music |
|
|
|
| Jazz pianist least representative of the bebop style |
|
|
|
| Used unusual timbres and extended techniques |
|
|
|
| Initially composed for the ballet Russe & wrote rite of Spring |
|
|
|
| Borrowed ideas from Indonesian and Russian music, pentatonic sclae |
|
|
|
| German composer who admired Webern |
|
|
|
|
|
|
| Father of electonic music |
|
|
|
| Germany’s leading neo-classicist |
|
|
|
| Also Shoenburg’s student, made invovations to the 12 tone technique with rhythm and pitch and dynamics |
|
|
|
|
|
|
| First composer of experimental music. Used polytonality |
|
|
|
| Trumpet player. Most influential in New Orleans jazz |
|
|
|
|
|
|
| Hungarian, collects folk songs |
|
|
|
| French composer organist, and ornithologist, studied birdsong |
|
|
|
| Composer and the band leader who wrote over 1000 pieces |
|
|
|
| A student of Schoenburg and made adaptations to the 12 tone technique |
|
|
|
| Favored popular idioms and traditional forms |
|
|
|
| Clarinet player, and he employed the first integrated big band |
|
|
|
| A French composer and conductor of contemporary and classical music |
|
|
|
| Favored simplicity and avoided variation |
|
|
|
| Louis Armstrong’s second wife |
|
|
|
| Chance music, electronic music, nonstandard use of musical instruments |
|
|
|
|
|
|
| An American pianist and composer that played at the Maple Leaf Club |
|
|
|
| American composer and mastered the genre of the symphony |
|
|
|
|