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The structure closest to the surface of the music May or may not contain all of the pitches of the original music |
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And underlying level that shows long range connections, and emphasizes what is unique about a composition -Removes from the foreground, shows connections that are not obvious |
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The deepest underlying structure, where most compositions look the same -Uses fewest notes |
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-Harmony through tree levels -Counterpoint (including voice leading, passing tones, neighbor tones, leading tones) -Motivic structure |
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-When a motive is expanded to encompass a longer span of music |
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Tonal unity in which a configuration of tones recurs in identical form, whether in immediate succession or over a broader span of music |
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When an active tone remains active even though other tones may intervene with embellishment |
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A simple melody traditionally given in alto clef comprised of whole notes |
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Rhythmic suspension – can be consonant or dissonant |
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Combination – with 8th note embellishments |
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Embellishments that require smaller note values |
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Consonant/Chordal Skip (CS) |
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A leap from one note to another note that is supported by the same harmony |
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Allows additional space in the counterpoint be shifting up an octave |
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T- Int-D-T Harmonic Class, even though the chords may change. |
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Prolonging a particular pitch class or harmonic class – the chords used in the process are called contrapuntal chords |
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expanded motion between different harmonic classes |
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Used to prolong pitch or harmonic classes |
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Used to highlight motives |
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An internal progression that leads to a cadence then backs off, often through a V 4/2 to a I6 motion |
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When a tonic appears in an intermediate progression but does not represent an actual return of an actual tonic class (use quotations) |
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Always placed in Brackets, always a 5…often comes at antecedent phrase, often ends with a half cadence. |
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A chord in root position is transformed into first inversion over a common bass note |
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Reducing a piece to block chords |
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Train/motion a scalar motion that unfolds an interval or intervals of an underlying chord through embellishment (3 4 5 6 or 8) Prolong a single chord or connect two related chords |
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a statement answer pattern creating an imitative relationship within the voices |
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linear intervallic pattern |
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a harmonic sequence containing a repeated interval pattern between two pitches used for prolongation (either from a single harmony or expanded space) |
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secondary linear progression |
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