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| A bass line made up of broken chords |
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| Music that lacks a sense of key |
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| An interval that is greater than an octave |
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| A cadence that moves from V-VI or V-vi. It is called deceptive because it fools the ear into thinking it will resolve to I or i, but doesn’t |
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| A bass line under which numbers tell what intervals should be played over the bass notes |
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| An imitative contrapuntal composition alternating exposition and episodic portions |
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| Half Diminished Seventh Chord |
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| A seventh chord that has a minor 3rd from the root to the third and third to the fifth, and has a major third from the fifth to the seventh |
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| A short composition with two-part or three-part contrapuntal texture |
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| A composition in which the first theme returns repeatedly (A-B-A-C-A, etc.) |
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| An interval that is no greater than an octave |
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| A form consisting of three main sections (Exposition, Development, And Racapitulation); frequently found in the first movement of a classical sonata or symphony |
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| Music that has a sense of key |
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