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diminished-minor
or
half diminished 7th
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| Seventh chords built in Major Keys |
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| I7, ii7, iii7, IV7, V7, vi7, viiØ |
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| group of pitches that form a single harmonic idea. pitches may sound at once or in succession |
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| in triads built on natural minor scale |
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raise the seventh in chords 5 and 7
5 becomes Major, and 7 becomes diminished
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also just 6
first inversion
root on top
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second inversion
root in middle
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also
6
5
first inversion 7
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also
4
2
and
2
third inversion 7
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7th chords built on minor scale
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| i7, iiØ7, III7, iv7, V7, VI7, vii°7 |
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diminished-diminished
or fully diminished
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| 3, both voices move in by step |
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6
both voices move out by step
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3
lower voice up a P4 or P5
upper voice down one step
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| if one line skips or leaps |
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| the other should step or remain |
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if one line repeats or sustains
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| the other should step, skip or leap |
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| contrary, similar, oblique |
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| Not with P5 and P8
yes with thirds and sixths
but not too many |
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| into and out of P5 and P8 |
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| contrary or oblique motion |
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| when using the occasional dissonance |
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repeat one voice or step motion
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Establish Tonic Chord with unison or octave
close with usggestion of dominant to tonic harmonic.
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