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c flat major key signature |
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notes that are spelled differently but sound the same |
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2 identical 4 note patterns separated by whole step- make up major scale |
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__ of any minor key is 1 of relative major |
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__ of any major key is 1 of relative minor |
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d __ flats to get parallel minor |
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tonic, supertonic, mediant, subdominant, dominant, submediant, subtonic, leading tone |
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simple intervals; compound intervals |
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augmented 4, diminished 5, 6 half steps |
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M/m3rd, M/m6th, p5th, 8ve |
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stem should go up if note below middle line, down if note above middle line |
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diminished triad, minor 7th |
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diminished triad, diminished 7th |
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an accidental by itself in figured bass refers to |
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a slash or plus sign w/ an arabic numeral means |
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FB: horizontal line means |
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first inversion triad symbol |
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first inversion 7th symbol |
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third inversion triad symbol |
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third inversion 7th symbol |
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pitches that, though spelled differently, are the same- no matter what octave |
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chords found only in the scale of the key |
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chords found outside the key’s scale |
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common diatonic minor chords |
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i iidim III iv V VI viidim |
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other possible minor diatonic chords |
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IM7 ii7 iii7 IVM7 V7 vi7 vii 1/2dim7 |
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most common diatonic minor 7ths |
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i7 ii1/2dim7 IIIM7 iv7 V7 VIM7 viidim7 |
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d from c- looks like natural minor but raised 6 |
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e from c- like natural minor but lowered 2 |
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f from c- like major but raised 4 |
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g from c- like major but lowered 7 |
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b from c- like natural minor but lowered 2, lowered 5; or like phrygian but lowered 5 |
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if the top # of key sig is a factor of a prime # > 3 |
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not capable of supporting tonal center- no clear start/end- dream sequence scale |
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whole half whole half- 9 total notes |
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vii dim is the __ __ triad |
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