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| Modes with major scale degree 3 |
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Ionian
Mixolydian
Lydian
Lydian-Mixolydian |
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| Like major, but with lowered 7th |
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| Like major, but with raised 4 |
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| like major, but with raised 4 and lowered 7 |
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| Modes with minor scale degree 3 |
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Aeolian
Dorian
Phrygian
Locrian |
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| Identical to natural minor |
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| Like natural minor, but with raised 6th |
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| Like natural minor, but with a lowered 2 |
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| Like natural minor, but with a lowered 2 and a lowered 5 |
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| number of elements ina pc set |
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| order of pitches that the composer presents from the beginning of a piece |
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| if you order the pitches that the composer presents |
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| each pitch and the enharmonic equivalents and in every octave |
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| smaller unit of the complete set being used by the composer |
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| the pitch that is used most often and highlighted in the pitch set |
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| another pitch that is used more frequently but not as much as the pc center |
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| if the subset is used in combination with the other pcs in the set it is referred to as a superset |
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| the set up of all the pitches that is dependent on the pc center; the whole order |
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| bimodal, polymodal 2 different tetrachords from two different series combined together |
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| layering 2 seperate pc collections on 2 seperate strata (or more than 2) |
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| 8 pcs in a symmetrical arrangement. WHWHWHW . |
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| the key that is farthest away |
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| the type of chord connection where a line is doubled in several voices= parallel motion particularly associated with debussy. |
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(ONLY 3 POSSIBILITIES AND THIS IS THE FIRST)
OCT 01 |
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| 0134679t (START ON HALF STEP ON C) |
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| 0235689e (START ON WHOLE STEP on C) |
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