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| Involves the establishment of opposing tonal areas. |
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| Contains the initial thematic material of the movement. |
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| Originated as a modulatory passage leading to the second tonal area. |
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| Usually the dominant or (if the principal key is minor) the relative major, represents a return to relative stability. |
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| When the exposition’s second tonal area is a transposition of the first tonal area. |
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| Serves to solidify and prolong the new tonic. |
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| Comprises several subsections defined by tonality, texture, and thematic content. |
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| A harmonic and sometimes melodic preparation for the recapitulation. |
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| Material from the exposition is restated, in whole or in part. |
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| May be appended to the recapitulation. In most sonata- form movements, it can be viewed as a final prolongation of the tonic. The coda is the last event in the movement, appearing after the closing area. |
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