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| agitated. Bewegter – More agitated |
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| Muted french horn–using hand |
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| in unison with another part; for example, col. vln, with violings. Commonly used in Jazz scores. |
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| with increasing animation |
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| continud to next section without pausing. As, attaca. |
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| in front of; with emphasis; to be clearly heard through the ensemble. |
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| Muted french horn, using hand |
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| let vibrate, do not dampen (for harp, perc, keyboard, etc) |
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| change (usually a change in tuning or instrument) |
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| return to previous method of performance (usually following instructions for a special techinique) |
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| at the performer’s pleasure |
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| vocal glissando, sliding from one note to the next |
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| premier mouvement (1er mouvt.) |
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| at the original tempo. (Erster tempo, Tempo I, a tempo) |
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| more immediate slowing of tempo |
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| stentando, stentato (stent.) |
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| Follow. indicates where the soloist may take liberties |
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| above–for keyboard hand crossings |
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| Empty. Cut, indicated by vi. . . at the beginning of the cut and . . .de at the end of the cut. |
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