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organization of music in time |
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heartbeat, basic unit of motion in music |
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rhythmic organization, duple or triple |
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comprised of notes of different relative duration |
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symbols indicating duration of notes |
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branch of science that studies sound |
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degree of loudness or softness |
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note that musicians use to tune their instruments (number of cycles per second) |
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degree of highness or lowness of a sound |
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distance between those fixed pitches |
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moving away from the tonic |
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when a composer moves away from the main key |
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through placement of a note on a type of graph which is called a staff and has 5 lines |
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series of pitches in rhythm |
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distinctive memorable complete satisfying musical line |
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one or more secondary lines which support the melody |
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pattern of pitches in a line |
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smaller sections of melody |
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resting place at the end of music phrase |
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manner in which pitches of a melody are sounded |
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embellishments added to a melody by composer |
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rapid alternation of two neighboring notes |
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heard very strongly with melody |
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less distinctive, sounds like pillars |
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short idea repeated without change through a composition |
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result of the number and character of a musical line |
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single, unaccompanied melody |
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two or more simultaneous and = important melodic lines |
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single, primary melody with accompaniment |
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overall sound of different pitches |
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shape of a musical composition |
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same music, different words |
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verse change, refrain is the same |
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intro, exposition, development, recapitulation |
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distinctive sound that different istruments and voices can make |
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unique sound of instrument or voice |
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soprano,mezzo soprano, alto, tenor, baritone, bass |
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degree of loudness or softness in music |
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gradual increase in loudness |
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gradual decrease in loudness |
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