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between classic and romanticism |
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A large Orchestral piece in several movements |
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A large composition for orchestra |
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music for a smaller ensemble or smaller setting |
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two violins, one viola, one cello |
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multi-movement work for solo piano or piano plus one other instrument |
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fast, slow, dance, faster |
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developed by the Classical composers and used in almost all the first movements of their symphonies. Fast. |
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Form consisting of one main theme or tune alternating with other themes or sections |
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the volume of sound, the loudness or softness of a musical passage |
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The basic subject matter of a piece of music. |
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A short fragment of melody or rhythm used in constructing a long section of music |
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The technique of reducing a theme to fragmentary movements |
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The sonorous quality of a particular instrument, voice or combo of instruments, or voices |
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The blend of the various sounds and melodic lines occurring simultaneously in a piece of music |
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The notes or chords ending a section of music with a feeling of conclusiveness |
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The center for music during the days of Beethoven and Mozart |
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music should be light, pleasing, and entertaining |
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Received Mozart as a musician |
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Form consisting of a tune (the theme) plus a number of variations on it |
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light elegant court dance |
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A form developed by Beethoven, Italian for joke |
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psychological progression |
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Three style periods of Beethoven |
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-Early -Sturm und Drung Late period |
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