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| INITIAL REFERENCE LEVEL TO NULL POINTS. |
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| 1) PROCESS OF COMBINING MULTIPLE TRACKS TO 1 OR 2 OPEN TRACKS ON THE MTR.
2) FREE UP TRACKS ON THE MTR TO RECORD ADDITIONAL SIGNALS TO IT. |
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| LIST SOURCE SIGNALS FROM THE STEREO BUS? |
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1) SSL = LF MIX
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2)AMEK = LCRS |
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| HOW DO YOU ASSIGN SOURCE SIGNALS TO STEREO BUS? |
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| SSL = LF MIX
AMEK = MON TO 48TK |
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| IS PAN ENGAGED ON THE AMEK OR SSL? |
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| NOT ON THE AMEK BUT ON THE SSL, YOU ENGAGE THE ‘IN’ BUTTON. |
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| WHAT ARE THE DIGITAL PROTOCOLS? |
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| 2 CHANNEL = AES/EBU; S/PDIF
8 CHANNEL = ADAT ; TDIF
56 CHANNEL = M.A.D.I. |
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| HOW MANY MIC INPUTS ON SONY DMX? |
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| MIC INPUTS = 12
LINE INPUTS 24 |
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| WHAT DOES PAGE 1-24 DO ON THE SONY DMX? |
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| SENDS SIGNAL TO MTR (RECORDING PAGE) |
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| WHAT DOES PAGES 25-48 DO? |
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| RECEIVES SIGNAL FROM MTR ( MIXING PAGE) |
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| WHAT DOES THE ‘MASTERS’ CONTAIN ON THE SONY DMX? |
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| MASTERS CONTAINS THE 8 BUSS MASTERS, 8 AUX MASTERS, 8 AUX RETURNS. |
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| ON THE AMEK 9098I WHAT IS THE MIC/LINE SWITCH CALLED? |
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| (AMEK)
WHAT BUTTON TO SELECT TO MOVE THE EQ SECTION BETWEEN CHANNEL AND MONITOR PATH? |
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| (AMEK)
WHEN ENGAGING THE INSERT “IN” BUTTON are we TURNING ON THE RETURN OR SEND? |
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| (AMEK)
WHAT ALLOWS US TO SEND THE MONITOR PATH TO ROUTING MATRIX? |
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| TO ASSIGN LARGE OR SMALL FADERS TO THE STEREO BUS ON THE AMEK? |
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| WHICH FADER IN RECORD MODE IS FEEDING THE ROUTING MATRIX (AMEK), AND WHAT PATH IS THAT FADER IN? |
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| LARGE FADER FEEDS ROUTING MATRIX IN RECORD MODE, AND IT IS IN THE CHANNEL PATH. |
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| WHICH FADER IN ‘MIX” MODE IS FEEDING THE STEREO BUS, AND WHAT PATH IS THAT FADER IN? |
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| IN MIX MODE, BOTH THE CH. PATH AND THE MON. PATH ARE SENT TO THE STEREO BUSS TO ALLOW ALL INPUTS INTO THE CONSOLE TO BE USED IN THE MIX. |
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| ON THE AMEK 9098i, HOW MANY AUX BUSSES ARE THERE? |
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| HOW MANY STUDIO CUE SENDS ARE THERE ON THE AMEK? |
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| DESCRIBE ALL THE DIFFERENT DIGITAL CARDS AVAILABLE FOR THE SONY DMX? HOW MANY INPUTS AND OUTPUTS DOES THE USER GET PER CARD? |
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| 1) TDIF – ALLOWS 8 SIGNALS PER CARD (TASCAM)
2) ADAT – ALLOWS 8 SIGNALS TO BE TRANSMITTED TO AND FROM THE CARD (ALESIS) |
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| PROCESS OF LINKING ON THE SONY DMX? |
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| ONLY POSSIBLE TO LINK ODD NUMBERED INPUTS TO EVEN NUMBERED ONES, FROM LEFT TO RIGHT – 13 TO 14. |
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| WHAT IS THE DEFAULT MODE ON THE AMEK? |
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| WHAT DISCONNECTS THE FILTER? |
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| FULLY NORMALLED PATCH POINTS BREAK THEIR NORMALLING WHEN USED. |
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| HALF NORMAL PATCH POINTS KEEP THE SIGNAL NORMALLED WHILE ALSO SENDING SIGNAL THRU PATCH CABLE. |
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| TO MOVE OR COPY AN OUTPUT TO ANOTHER INPUT USING A PATCH CABLE |
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| TO KILL AN INPUT BY ONLY PATCHING ONE SIDE OF THE CABLE IN ORDER TO DEFEAT A NORMALLED CONNECTION |
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| MULTS MAKE UP TO 3 COPIES OF THE ORIGINAL SIGNAL |
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| TO INSERT AN AUDIO DEVICE INTO THE PATH OF YOUR SIGNAL |
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| DETAILED DESCRIPTION OF THE AMEK SUPERTRUE 4 AUTOMATION SYSTEM INCLUDING SOFTWARE USED? |
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| THE AMEK USES A D.O.S. BASED AUTOMATION SYSTEM IN WHICH AUTOMATION DATA IS RECORDED TO THE HARD DRIVE. |
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| LIST AND DESCRIBE EACH OF THE 3 MAIN AREAS, WHICH MAKE UP THE AMEK AUTOMATION SCREEN? |
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| MENU AREA – LISTS THE MENU ITEMS
MAIN AREA – DISPLAYS SELECTED SUB MMENUS
MIX AREA – ALLOWS DISPLAY AD MANIPULATION OF MIX AND AUTOMATION PARAMETERS. |
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| HOW MANY MAIN MENUS DOES THE AMEK SUPERTRUE HAVE? |
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| 6
FILING MENU- FILE MANAGEMENT
CONSOLE MENU- ALLOWS SETUP AND MANIPULATION OF CONSOLE FUNCTIONS
SETU MENU- SETS UP TIME CODE AND MACHINE CONTROL
AUTOMATION MENU- ALLOWS SETTING AND MANIPULATION OF RECORDED MIXES AND SNAPSHOTS
RECALL MENU- STORING OF ALL NON-AUTOMATABLE PARAMETERS
DYNAMICS MENU- ASSIGNMENT AND STORING OF VIRTUAL DYNAMICS |
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| EXPLAIN AMEK SUPERTRUE HIERARCHY? |
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| PROJECT – TOP LEVEL
TITLE – STORED ITHIN PROJECT
MIX – STORED WITHIN A TITLE |
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| WHERE IS THE ABOVE DATA STORED AND PLAYED BACK ON THE AMEK SUPERTRUE AUTOMATION SYSTEM? |
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| SYSTEM DISK (HARD DRIVE). |
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| GIVE A DEFINITION OF BOTH A FADER AND SWITCH GROUP USED ON THE AME SUPER-TRUE AUTOMATION SYSTEM. |
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| FADER GROUP – USED FOR CONTROLLING A MIX BY USE OF A GROUP MASTER. THE GROUP MASTER CONTROLS THE VOLTAGE OF THE GROUP MEMBERS.
SWITCH GROUP – USED FOR GROUPING TOGETHER ANY NUMBER OF AUTOMATABLE SWITCHES. |
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| WHAT IS THE RECALL FUNCTION USED FOR ON THE AMEK? |
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| RECALL STORES ALL NON-AUTOMATABLE FUNCTIONS |
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| TWO SEARCH MODES OF THE AMEK SUPERTRUE? |
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| MANUAL – ALLOWS DESIGNATION OF THE DISPLAYED I/O BY USE OF THE ‘SELECT’ BUTTON.
AUTO – CONSOLE SCANS TO THE NEXT I/O (FROM LEFT TO RIGHT) WHEN ALL PARAMETERS ON THE CURRENT I/O ARE RESET. |
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| DESCRIBE FADER STATUS USED IN THE AMEK SUPERTRUE AUTOMATION SYSTEM? |
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| WRITE – RECORDS MIX DATA
READ – PLAYS BACK MIX DATA
UPDATE – OFFSETS MIX DATA |
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| ON THE AMEK, WHAT SWITCH ALLOWS US TO RECORD THE OSCILLATOR TO THE MTR AND THE 2 TRACK RECORDER? |
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| 48TK TO SEND THE OSCILLATOR SIGNAL TO ALL 48 BUSSES IN THE ROUTING MATRIX.
TO ASSIGN SIGNAL TO THE STEREO BUSS PRESS “MIX” |
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| HOW MANY AUX MASTERS ARE LOCATED IN THE MASTER SECTION? HOW MANY STUDIO CUE MASTERS? |
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| 16 AUX MASTERS LOCATED IN MASTER SECTION. THERE ARE 2 STEREO CUE MASTERS (STEREO CUE 1 AND 2) |
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| WHERE DOES THE OUTPUT OF THESE CUE MASTERS FEED INTO? |
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| THEY FEEN THE INPUTS OF THE CUE AMPS. |
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| ON THE AMEK, WHAT BUTTON ALLOWS THE TALKBACK COMMUNICATIONS MIC TO BE SENT TO THE MTR AND THE 2 TRACK RECORDER? |
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| SLATE- SENDS TALKBACK TO ROUTING MATRIX WHICH FEEDS THE MTR.
MIX- SENDS TALKBACK MIC TO STEREO BUSS, WHICH FEEDS THE 2 TRACK RECORDER. |
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| main advantages of digital consoles? |
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| a) Zeroing out
b) Instant recall
c) Completely automatable parameters |
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| what format does most large format digital consoles use to connect to an MTR? |
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| M.A.D.I. – ALLOWS CONNECTION OF UP TO 56 CHANNELS |
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| DIFFERENCES IN SIGNAL FLOW BETWEEN AN ANALOG AND DIGITAL CONSOLE? |
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| ANALOG – INVOLVES DISCRETE ELECTRICAL COMPONENTS IN THE AUDIO SIGNAL PATH.
DIGITAL – IS THE MANIPULATION OF THE DIGITAL word to modify level and other parameters. |
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| WHEN USING CH. OUTPUT WHAT PATCH-POINT IS USED TO TAKE SIGNAL OUT OF THE CONSOLE AND PLUGGED INTO THE TIME BASED PROCESSOR? |
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| WHICH FADER IS TYPICALLY USED AS THE CHANNEL OUTPUT LEVEL CONTROL? |
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| WILL THE CHANNEL OUTPUT FADER BE POST OR PRE CHANNEL FADER? |
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