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all the notes belong in the tonic key, with no chromatic alterations |
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a key other than the tonic is being treated as the new tonic |
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smallest musical gesture that ends with a cadence |
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2 or more related phrases in which the last phrase contains the most conclusive cadence |
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A,A both phrases start with the same melodic material |
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A, B both phrases contain different material |
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A, A* the melody is similar, but doesn’t have the same initial melodic content |
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3 phrases containing similar material, the last phrase ends with a PAC, and can be the only phrase with a PAC |
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process of moving from one tonal center to another, resulting in clear establishment of new tonal center |
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direct chromaticism occurs right at the point of modulation (no pivot). you just new chord in new key usually a V or VII |
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a sequence passing through several key areas on its way to a new key, which obscures initial tonality at any point the sequence can be broken, and you get a cadential progression in new key |
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pivot chord in diatonic in both keys, occurs before 1st dominant function chord in new key, everything before pc in analyzable in old key, everything after makes sense in new key |
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change of tonic at the juncture of two phrases |
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modulation vs tonicization |
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tonicization is temporary, and all chords are analyzed in original key area, often only 2 or 3 chords modulation: more permanent move to new key, extended progression, DD-DT relationship |
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5 of them: relative minor, the subdominant (IV) and its relative minor, and the dominant (V) and its relative minor |
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process of moving from one tonal center to another, resulting in clear establishment of new tonal center |
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direct chromaticism occurs right at the point of modulation (no pivot). you just new chord in new key usually a V or VII |
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a sequence passing through several key areas on its way to a new key, which obscures initial tonality at any point the sequence can be broken, and you get a cadential progression in new key |
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pivot chord in diatonic in both keys, occurs before 1st dominant function chord in new key, everything before pc in analyzable in old key, everything after makes sense in new key |
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change of tonic at the juncture of two phrases |
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modulation vs tonicization |
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tonicization is temporary, and all chords are analyzed in original key area, often only 2 or 3 chords modulation: more permanent move to new key, extended progression, DD-DT relationship |
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4 steps to identifying chromatically altered chords |
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Identify root, chord quality analyze appropriate |
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Secondary leading tone seventh chord resolving |
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Secondary dominant resolve |
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Generally goes to the chord it’s of |
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Measure numbers, key, mcl, cadence type |
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