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| Sounds good for bass, smooth sound, filters have little to no effect |
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| Sounds like buzz of amp feedback, bright, filters have strong effect |
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| Hollow-sounding, buzzy, filters have strong effect |
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| Few harmonics, “hollow” sound, filters have little effect |
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| allows you to adjust the balance between the two oscillators |
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| changes the octave of the generated tone |
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| Makes a bright, bell-like tone |
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| Played alone it’s good for drums, used w/ tones it adds distortion |
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| bright, like hi-hats or a hiss effect |
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| Dark, like a kick drum or booming effect |
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| Adjusts the length of the noise in each note (on noise generator) |
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| works by making one oscillator modulate the other, best when the osc’s re tuned to different pitches in some interval |
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| varies dynamics of sounds from start to finish |
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| regulates the onset of a sound and how fast it reaches its max volume |
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| controls the drop in sound from its peak to the sustain stage |
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| controls how loud the sound is from decay to release |
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| How quickly the sound fades after it is released |
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| increases/decreases brightness, needs amp envelope for sound |
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| LFO (low frequency oscillator) |
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| don’t make tones but do affect tones w/ low or slow frequency waves (create vibrato) |
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| effect that sits between the instrument and the mixer |
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| controls how much effect is present in sound |
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| echo effect, “Digital Delay Line” |
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| Reverb that operates in stereo and has more presets than RV7 |
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