|
Large scale work for soloists, chorus, and orchestra. Unstaged. |
|
|
Baroque orchestral genre; first part is slow, homophonic with dotted figures, second part is fast with imitative texture. |
|
|
Speech-like style of singing used in opera, oratorio, cantata. |
|
|
Speech-like, declamatory style of singing supported only by continuo. |
|
|
Speech-like, declamatory style of singing supported by instrumental ensemble. |
|
|
Three part structure (ABA). The most common song type in Baroque opera and oratorio. |
|
|
A group of notes sung on a single syllable/vowel. |
|
|
The text of an opera, oratorio or cantata. |
|
|
All voices sing the same rhythm. |
|
|
|
|
A term used for overly ornate art, architecture and music of the 17ty and early 18th centuries. |
|
|
Numbers placed below the bass line to show the harmonic progression. |
|
|
Two performers, one playing the bass line and the other plying the harmonies (on keyboard). |
|
|
A method of tuing hwere the semitones within the octave are divided equally. |
|
|
Baroque practice of changing dynamincs abruptly. |
|
Doctrine of the Affections |
|
One emotional state is projected through an entire composition or movement. |
|
|
music mirrors the literal meaning of words |
|
|
Music which highlights the unique technical capabilities of an instrument. |
|