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drama with religious subject but not liturgical purpose
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not staged with costumes and sets
in english, feature choruses
during lent
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| Messiah- text is from bible, recitative to accompanied recitative to recitative to accompanied rec. to chorus |
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focuses on contrast between two musical ideas or groups of ideas, one for solo and one for orchestra
function is to return as many times as stable element of the form
at beginning of many kinds of baroque msuical forms
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composition for orchestra with solo instrument, contrast between orchestra and soloist
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contrast between orchestra and small group of soloists
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form in which a single musical unit is repeated over and over with constant changes and embellishments
successive, uniterrupted repetition of one melodic unit
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concerto in g, op4 no 12
rit, ground bass, rit
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systemized imitative polyphony
polyphonic composition for a fixed numebr of instruments
exposition: over when all introduce subject
subject entries
episodes
theme=fugue subject
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theme that is the basis of a fugue, appearing in each voice in return
appears again and again in each instrumental voice
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art of fugue
interested in long, melodious episodes that come between subject entries
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melodic idea that is played against a primary subject of a fugue
contrasts the fugal subject
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| part where there the subject is not present, or is only present in a fragmentary form |
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| when a voice enters with the fugue subject before the previous voice has finished presenting it |
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a tune that when sung by multiple voices at regular intervals apart can provide accompaniment for itself
liek a round
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symphony no 95
sonata, variation, minuet trio, rondo
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brings back theme completely and in the same key
used mainly for closing movements
main tune recurs again and again after episodes that serve as spacers between its appearances
like rit but brings bakc entire thing not just fragments
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repetition of clearly defined melodic unit, or theme with various changes at each repetition
create many contrasting moods with same theme
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triple meter
minuet, trio, minuet (aba)
third movement of haydn symphony
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4 movements
always begin with sonata form
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opening movement of a symphony
exposition, development(highly dramatic, confusion), recapitulation (can contain coda, big cadence with short concluding section=coda)
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5th symphony
sonata, variation, coda, scherzo (triple meter) and separated by trio, sonata
c minor
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music designed to be played in aroom
inimate
2 to 9 players
beethoven- string quartet
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instrumental compositions associated with poems, stories, etc.
other mediums of art
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| beethoven, haydn, mozart, schubert |
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fantiastic symphony
program music
idea fixe, dies irae
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fixed recurring melodic idea that crops up through berlioza fantastic symphony
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| day of wrath, portrays death, illustrates emotion |
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romantic song in german for solo voice and piano accompaniment
means song in german
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viennese composer
erlkonig- lied
through composed
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stanzas not all set to same music
erlkonig
schubert
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german composer
dichterliebe – lied
sad
strophic- music matches words for all stanzas
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| group of songs with a common poetic theme or actual story connecting all the poems |
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| when music for verses all the same for each stanza |
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symphony no 40
sonata form
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