Giocchino Rossini
Grace, verve and musicality composed barber of Seville(1816)
Cesare Sterbini
Librettist for Barber of Seville
Pierre Beaumarchais
Wrote original Barber of Seville
Georges Bizet
Composer of Carmen(1875)
Henri Meilhac
1 of the librettist for Carmen
Ludovic Halevy
1 of the librettist for Carmen
Prosper Merimee
Wrote original novel Carmen is adapted from
Richard Wagner
Wrote and Composed Rhinegold(1869)
Was both composer and librettist
King Ludwig II
Wagner’s patron (the person paying for works to be produced)
“Singer’s Opera”
Refers to Rossini’s time or the “bel canto”
Commedia dell’arte
improvised tradition in Italy that used stock characters, like the wily servant example… Figaro
Cavatina
2 part aria, small cabaletta usually used to introduce characters
Cabaletta
originally a simple Italian aria, Later the concluding brilliant portion in quick tempo of a two-part aria, or the whole piece.
Coloratura
elaborate ornamentation of vocal line. A coloratura voice is one that specializes in singing this line, generally in a higher register.
Diagetic music
Music within an opera as actual music example is opening scene to barber of Seville where he serenades Rosina
Incidental music
used to accompany on stage action
Ensemble of Confusion
19th century Italian opera middle of the opera big confusion
Patter Song
is an aria sung at a fast rate like Figaro
Verismo
realistic, very controversial, clear morality of right and wrong was lost compared to the human emotion; gritty situations on life
Exoticism
When an artist/composer evokes another culture for artistic purpose
Augmented second
used for non-white characters; racial
“Fate” motive
a short melody associated with Carmen that runs through the whole opera
Bayreuth
Wagners personally built theater
Gesamtkunstwerk
Universal art work
Leitmotiv
Musical phrase : indicates a dramatic idea, object, or character
Lindoro/Almaviva
Lyric Tenor
Rosina
Coloratura Mezzoo-soprano
Figaro
Baritone
Bartolo
Bass-Buffo
Don Basilio
Bass
Berta
Mezzo-Soprano
Fiorello
Bass
Carmen
Mezzo-Soprano
Don Jose
Tenor
Escamillo
Baritone
Micaela
Soprano
Wotan
Bass-Baritone
Fricka
Mezzo-Soprano
Donner
baritone
Froh
baritone
Freia
Mezzo-soprano
Loge
Tenor
Alberich
Baritone
Fasolt and Fafner
Bass
Rhinemaidens
Two sopranos and a mezzo
Erda
Contralto
Italian Opera
Barber of Seville; Operas made quickly specific formula; opened w/ chorus and male viewpoint; diajetic music; Patter song; Midpoint final and melodies no longer improvised but written.
German Opera
No ensembles, chorus, intermissions and had endless melody everything had a purpose
German Opera
No ensembles, chorus, intermissions and had endless melody everything had a purpose
Sinfonia
Italian word for overture
Opera Comique
operas with spoken dialogue;song play no recitative