|
|
|
|
|
Both performers- follows a section w/ only 1 performer on part |
|
|
|
|
|
|
becoming broader, slowing. |
|
|
|
|
|
|
|
|
|
|
|
|
Diminish the sound to nothing |
|
|
|
|
|
|
with growing animation, animato, anime, animated |
|
|
roll the chord in harp style |
|
|
|
|
resume to the original tempo |
|
|
begin the next section without pausing |
|
|
with growing animation, belebt, animated |
|
|
|
|
agitated, bewegter, more agitated |
|
|
|
|
muted french horn, using hand, indicated by + |
|
|
|
|
muted french horn, using hand |
|
|
in unison with another part; for example: col. vin, with violins (jazz score= common use) |
|
|
|
|
|
|
chorus (not to confused with corno, horn.) |
|
|
|
|
mute; mit dampfer- with mute; ohne dampfer, without mute. |
|
|
|
|
with increaming animation |
|
|
continue to next section without pausing. As, attacca |
|
|
in front of; with emphasis, to be clearly heard through the ensemble |
|
|
first; for example- erste mal, first time; erstes tempo, first tempo |
|
|
|
|
|
|
flutter tongue. Make a rapid articulation, like a rolled r |
|
|
muted french horn, using hand |
|
|
|
glissando (glissez, glisser) |
|
|
|
|
|
|
|
|
|
always; for example, immer in tempo- always in tempo |
|
|
let vibrate, do not dampen (for harp, percussion, keyboard, etc) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
the same (from lo stesso) |
|
|
|
|
|
|
|
|
|
|
|
|
Maelzel metronome; tempo indication; number of beats per minute, expressed in a specific note value, e.g., MM quarter note= 72 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
change; usually to indicate a change in tuning of an instrument or instruments, or a change from one instrument to another (flute to piccolo) |
|
|
|
|
|
|
nothing. a niente, fade away to silence |
|
|
|
|
return to previous method of performance (usually following instructions for special technique) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
at the performer’s pleasure |
|
|
|
|
|
|
more motion, increase tempo |
|
|
|
|
|
|
vocal glissando, sliding smoothly from one note to the next |
|
premier mouvement (Ier mouvt.) |
|
at the original tempo. also, erster tempo, tempo I, a tempo |
|
|
|
|
desk or stand, referring to number of stands or performers for a part. |
|
|
|
|
|
|
|
ritardando (ritard, rit.) |
|
|
|
more immediate slowing of tempo |
|
|
expressive flexibility of tempo |
|
|
|
|
without snares (percussion) |
|
|
|
|
|
|
|
|
dry, simple. In percussion: dampen; do not let ring |
|
|
|
|
proceed to next section without pause. Sometimes indicates continuation of a style |
|
|
|
|
|
|
|
sforzando, sforzato (sf, sfz) |
|
|
|
|
|
|
|
Mute. Con sordino, with mute. Senzo sordino, without mute |
|
|
|
|
“under the voice”; in a soft voice or undertone |
|
|
|
|
|
stentando, stentato (stent.) |
|
|
|
|
|
|
|
|
|
|
|
|
|
follow, indicates where a soloist may take liberties |
|
|
above. indicates crossing hands in piano music |
|
|
|
|
|
|
|
|
|
|
quick repetition of the same note, or quick repetition between different pitches |
|
|
|
|
rapid, usually unmeasured alternation between notes of different pitch, half/whole step intervals |
|
|
|
|
|
|
empty, cut, indiated by, vi…. at the beginning of cut and ….de at the end of the cut |
|
|
|
|
|
|
|
|
|