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| piece for orchestra, paints a picture or tells a story |
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| one voice with accompaniment |
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| a piece for full orchestra in 4 movements |
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| many sections with many combinations of voices |
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| touch piece; keyboard piece |
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| short piece introducing a long piece |
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| small group pitted against a large group |
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musical drama with orchestra and voices;
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without sets, costumes, and acting
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| musical drama with sets, costumes, acting, full orchestra, everything sung |
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| Renaissance jazz; sounds as if improvised |
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| sacred, vocal, polyphonic piece |
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| secular, vocal, polyphonic piece |
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| official form of worship in the Catholic church |
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| one melody; sung by monks; no harmony |
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emphasis on mechanical, motor-like rhythm
*Stravinsky’s Dance of the Adolescents*
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emphasis on excess of emotion by angular melody, dissonant harmony, unusual rhythm, odd use of instruments, distorted form.
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vocal technique: “sprectstimme” ;–talk/sing combo
*Shoenberg’s Prayer to Pierre*
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the use of national melodies and styles in classical music
*Copland’s Hoedown from RODEO*
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music of random sounds and actions inwhich composer avoids control of all aspects of the music
*Cage’s Totem Ancestor*
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All sound is music (4’33”)
lead to Golden Gate playing on the bridge cables, Construction Symphony
relied on chance; aleatory; zen
Totem Ancestor; prepared piano
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| music inwhich texture is the main element |
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MELODY: a series of varied pitches w. varied rhythms
HARMONY:tones sounding together
RHYTHM:underlying pulse of the music
TEXTURE: the instruments used
FORM: underlying structure of the music
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music with an unremitting pulse and fast, virtuosic passages, & without message, tension, or contrast, based on the slow development of one melodic or rhythmic idea
*Glass’s Dance 5*
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music which incorporates 20th century styles but returns to forms and genres used in past eras, particularly the Romantic era: emphasis on melody and a sense of tonality
*Larry Bell’s Invention #11*
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| use of several keys at once |
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egomaniac, liar, cheat, used people, only good to Cosima
1st to stretch tonality <soap operas>
brought excessive emotion to romanticism, overdid it
*4opera cycle RING OF THE NEBELUNGS*
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| 3 part piece for 1 instrument |
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