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Final=D
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Tenor=A
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Final=D, but it starts on the fifth, A |
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Final=E, but starts on the fifth, B |
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Final=F, but starts on the fifth, C |
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Final=G, but starts on the fifth, D |
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Final=A, but starts on the fifth, E |
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Final=C, but starts on the fifth, G |
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Major and minor keys sharing same key signature
Example
C major and A minor
D major and B minor
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Major key and minor key that share the same tonic, but not the same key signature
Example
C major and C minor
F major and F minor
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Semi-tone larger than major |
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Semi-tone smaller than minor |
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Octave or less between notes |
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More than an octave between notes |
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FOR INVERSIONS OF INTERVALS
1–
2–
3–
4–
P–
M–
A–
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A sucession of notes
- Motivic–Recurring, unifying melody
- Tuneful–Fuller, has beginning, middle, and end
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2→1 or 7→8
Ends on tonic, approached stepwise
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Final note of a cadence is metrically strong |
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Final note of a cadence is metrically weak |
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Combination of two phrases |
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Short melodic phrase repeated over and over for baseline, with varied melodic parts |
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Divided into 2 equal parts |
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Divided into 3 equal parts |
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If the top number is a 2, 3 or 4, then it is ______ beat division |
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Simple
Beats per measure is equal to the top number
The beat value is 1 divided by the top number
Example
3
8
is 3 BPM and beat value is 1/8 (or an eighth note)
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If the top number is a 6, 9, or 12 then it’s a _____ beat divison.
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Complex.
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Divide that number by 3 to get beats per measure.
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Beat value?
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Major–Whole step between
Minor–Half-step between
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Major–Half-step less than P4
Minor–Whole-step less than P4
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Major–Whole-step above P5
Minor–Half-step above P5
Major–1 semi-tone between notes
Minor–2 semi-tones between notes
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Major–One semi-tone between notes
Minor–Two semi-tones between notes
Major–Half-step below P8
Minor–Whole-step below P8
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