admin 31 Dec 2017 0 Comments Root Position Triad 5/3 1st Inversion Triad 6/3 2nd Inversion Triad 6/4 Root Position 7 Chord 7 1st Inversion 7 Chord 6/5 2nd Inversion 7 Chord 4/3 3rd Inversion 7 Chord 4/2 Parallel Key Same Tonic, Different Key Signature Relative Key Different Tonic, Same Key Signature Leading Tone Half Step Below a Key’s Tonic Secondary Dominance a non-permanent key change of short duration Modulation The process of changing keys Major Triad -3rd^3rdRoot Minor Triad ^3rd-3rdRoot Double Sharp Sign F? Sharp Sign F? Augmented Sign F+ Diminished/Half Diminished Sign F° Fully Diminished Sign Fo Major Sign F^ Minor Sign F- Augmented Triad ^3rd^3rdRoot Diminished Triad -3rd-3rdRoot Unison/^1st/°2nd 1 Half Step Itself -2nd/+1st 2 Half Steps ^2nd/°3rd 3 Half Steps +2nd/-3rd 4 Half Steps ^3rd/°4th 5 Half Steps +3rd/P4th 6 Half Steps +4th/°5th 7 Half Steps P5th/°6th 8 Half Steps +5th/-6th 9 Half Steps ^6th/°7th 10 Half Steps +6th/-7th 11 Half Steps ^7th/°8th/°Octave 12 Half Steps +7th/P8th/POctave 13 Half Steps Flat Sign F? Related posts: Music Theory: Chapter Four Music Theory Music Theory Theory Midterm Theory I midterm Theory test 2 Music Theory Music Theory: Chapter Three Chapter 5 vocabulary