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| Setting of a poem for solo voice and piano translating the poem’s mood and imagery into music, common in the romantic period. |
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| brief musical piece, intended for piano, that expresses a certain idea or mood. especially Germany |
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| progressing melodically by intervals of a second. |
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| Progressing melodically by intervals larger than a major second. |
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| he study of social and cultural aspects of music and dance in local and global contexts.” [1] |
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| Term coined by Berlioz for a theme which recurs, perhaps obsessively, in different movements of a work |
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| he text used in an extended musical work such as an opera, operetta, masque, oratorio and cantata, musical, and ballet. |
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| is the scholarly study of music |
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| national material in a composition to associate it with the composer’s homeland. |
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| is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble) |
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| Instrumental music associated with a story, idea, or scene, often found in the romantic period. |
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| slight holding back or pressing forward of tempo to intensify the expression of the music, often used in romantic music |
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| Group of art song unified by a story line that runs through their poems or by musical ideas linking the songs |
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| vocal form in which the same music is repeated for each stanza of a poem. |
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| quality of sound that distinguishes one instrument or voice form another. |
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| central note, scale, and chord within a piece, in relationship to which all other tones in the composition are heard. |
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| can mean notating a piece or a sound which was previously unnotated, as, for example, an improvised jazz solo |
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