| Pitch made up of what two things |
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| The beat. Duration of pitches long notes short notes |
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| The tune. Vertical Arrangement of music |
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| “High” or “G” clef. Marks G |
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| Low clef or “F” clef. Marks f |
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| First line of a staff starts with what note? |
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| Starting from bottom, the very first line should be E. The following space note is F, the next line note is G, the next space note is A, and so on. |
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| Piano Keys (Black and white keys) |
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C D EF G A B
_!_!__!_!_!_!
After every cluster of two black keys, the white key directly following the second black key is E, and then FBABCD. |
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| Black Keys either ____ or _____ the note. symbols for this? |
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| raise #= sharp, or lower (messed up lower case b thing)= flat. |
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| Piano Forte is the full name for a piano. |
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| represents a forte (LOUD) |
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| medium forte, or medium loud |
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| reps Meduim soft, or medium piano |
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| Reps pianissimo, very soft. |
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| How thick or thin a piece of music is |
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| thin texture-all melody, one person singing a song or a group singing at the exact same time |
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| H stands for harmony here. Medium texture, melody over Harmony |
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| many sounds. Thick texture. that time we sang row row row your boat all at different times |
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| Sounds that blend well. (Release of tension) |
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| sounds that bite; don’t blend well. Tention |
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| conjunt and disjunct movement of melody. staccato, and legato |
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| smooth, connected, flowing |
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| pieces flip flopping between major and minor? |
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| is also a duration of 1? the regular note value duration in compound and or triple meter. |
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| (or triple meter, also known as triple time) is a musical metre characterized by a primary division of 3 beats to the bar |
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| is the impulse that occurs at the beginning of a bar in measured music.[3] Its name derives from the downward stroke of the director or conductor’s baton at the start of each measure. It frequently carries the strongest accent of the rhythmic cycle. |
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| an anticipatory note or succession of notes occurring before the first barline of a piece, sometimes referred to as an ‘upbeat figure’, section or phrase. An alternative expression is “anacrusis” (from Greek. ana: “up towards” and krousis: “to strike”; Fr. anacrouse). |
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1400-1600
Modes.
Mostly vocal,
Sacred.
vocal, monophonic sacred.
Male vocals |
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1600-1750
inventon of opera
J.S. Bach
Doctrine of emotion
Intrumental and Vocal
Sacred and Secular
major and minor
G.F. Handel
“Word Painting” |
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1750-1820
Handel-Melody focused
Mozart-secular |
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| Beethoven gets his own area of transition |
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1827-1900
Vaugener: Hitler’s Fav composer
“extremely” can be put in front of everything. |
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| Trombone, french horn, tuba, trumpet |
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| obo, flute, claironette, basoon, picalo |
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| violin, harp, chello, viola |
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