|
|
| An American oral singing tradition featuring rotating leaders and raw, direct singing |
|
|
|
| A system in which pitches in the scale are associated with particular syllables, do, re, mi, fa, so, la, ti |
|
|
|
| American Lute with a circular resonator |
|
|
|
| European Lute Chordophone introduced to the Southwest of America by the Spanish |
|
|
|
| Guitar played by holding it horizontally on the lap, players tune the strings to pitches of a single triad so that chords can be slid up and down |
|
|
|
| Electronically amplified instrument in which the pitch can be altered both through a system of foot pedals and by sliding a metal bar on the fingerboard |
|
|
|
| Plucked or strummed zither with frets over a curved hourglass-shaped resonator |
|
|
|
| European-American zither with dampers that create chords |
|
|
|
| Vigorous group dances featuring elaborate instrumental figurations that evolved from English and Irish reels |
|
|
|
| Early country music ensemble that recorded over 300 songs and sold millions of recordings between 1927 and 1943 |
|
|
|
| Consists of a banjo, guitar, fiddle, and bass, and plays traditional dance tunes and accompanies singers |
|
|
|
| Hollywood movie stars who sang in small vocal ensembles dressed as Cowboys |
|
|
|
| A fusion of country and big band jazz originating in Texas |
|
|
|
| Genre from Texas that features the Pedal Steel Guitar |
|
|
|
| Formed the band the Bluegrass Boys, which invented the Bluegrass style |
|
|
|
| Banjo player who co-led the Foggy Mountain Boys bluegrass band |
|
|
|
| Composer of “This Land is Your Land” |
|
|
|
| Composer of “If I had a Hammer” |
|