|
|
|
Hire a custom writer who has experience.
It's time for you to submit amazing papers!
order now
A succession of single pitches that is perceived as a whole
|
|
|
|
| Highness or lowness of tone depending on frequency |
|
|
|
| Unit of meaning within a larger structure |
|
|
|
| resting place in a musical phrase; music punctuation |
|
|
|
| basic unit of rhythm/music |
|
|
|
| organization of rhythm in time |
|
|
|
| deliberate upsetting of normal pattern of accentuation |
|
|
|
| Use of several rhythmic patterns simultaneously |
|
|
|
| combination of notes simultaneously ensuing relationships fo intervals and chords |
|
|
|
| three or more notes played at the same time |
|
|
|
| series of tones in ascending or descending order |
|
|
|
| principle of organization around tonic based on scale |
|
|
|
| concordant or harmonious combination of tones |
|
|
|
| discordant and unstable combo of tones |
|
|
|
| interweaving of melodic and harmonic elements |
|
monophonic
polyphonic
homophonic |
|
single-line texture w/o accompaniment
two or more melodic line combined
texture with principal melody and harmony |
|
|
|
| structure and design in music, organizing principle |
|
|
|
| complete, self-contained part within a larger musical work. |
|
|
|
| melodic idea used as a basic building block in the construction of a composition |
|
|
|
| restatement of an idea or motive at a different pitch level |
|
|
|
| short melodic or rhythmic idea |
|
|
|
| short melodic, rhythmic, or harmonic pattern that is repeated throughout a work |
|
|
|
| rate of speed or pace of music |
|
|
|
| quality of sound that distinguishes one voice for instrument from another |
|
|
|
| first note of the scale or key |
|
|
|
| small fluctuation of pitch used as an expressive device to intensify sound |
|
|
|
|
|
|
| pluck a string of a bowed instrument with finger |
|
|
|
| rapid repetition of a tone |
|
|
|
| ensemble music for up to ten players, with one player to a part |
|
|
|
| term for describing category or overall character of a work |
|
|
|
| performing forces employed in a certain musical work |
|
|
|
| dance form in late medieval France w/ voice or only instruments |
|
|
|
| French monophonic or polyphonic song of Middle Ages and Renaissance set to either courtly or popular poetry |
|
|
|
| set order of religious services and the structure of each service |
|
|
|
| polyphonic vocal genre, secular in the Middle Ages but sacred or devotional thereafter. |
|
|
|
| earliest kind of polyphonic music that developed from plainchant |
|
|
|
| monophonic melody with a free flowing, unmeasured vocal line; liturgical chant of Roman Catholic Church. |
|
|
|
| Sections of RCMass that vary day to day throughout year according to liturgical occasion |
|
|
|
| sections of RCMass that remains the same day to day. |
|
|
|
| Unaccompanied vocal music |
|
|
|
| 1450-1600 Era of esploration, scientific inquiry, and artistic awakening |
|
|
|
| Melodic idea presented in one voice and then restated in another |
|
|
|
| Musical pictorialization of words from the text as an expressive device. |
|
|
|
| ‘fixed melody’ usually of very long notes based off chant that served for polyphonic composition esp in Ren era |
|
|
|
| Mass for the Dead. sung at funerals |
|
|
|
| secular genre of sung poetry the flourished in the Ren Era |
|
|
|
Seven tones of a scale used in music
12 half steps of a scale |
|
|
|
|
|
|
| process of changing from one key to another |
|
|
|
| process of changing from one key to another |
|
|
|
| vocal style estab. in Baroque w/ solo singer and instrument accomp |
|
|
|
| intro mvt that presents melodies from arias to come. also an orch work for concert perf. |
|
|
|
| text or script of an opera |
|
|
|
| solo vocal declamation that follows inflections of text that results in disjunct vocal style |
|
|
|
| congregational hymn of the German Lutheran church |
|
|
|
| vocal genre for solo singers, chorus, and instru based on lyric or dramatic poetic narrative |
|
|
|
| lyric song for solo voice w/ orch accomp generally expresses intense emotion. |
|
|
|
| continuous bass. bass, chordal instrument and one bass melody instrument |
|
|
|
| Large scale dramatic genre originating in Baroque, based on a text of religious or serious character |
|
|
|
|
|
|
| Italian comic opera, sung throughout |
|
|
|
| Short, recurring instrumental passage found in aria and Baroque concerto |
|
|
|
| Mulitimvt work made up of a series of contrasting dance mvts, gen. in same key |
|
|
|
| Baroque concerto type based on opposition between a small group of solo instruments(concertino) and orch (ripieno) |
|
|
|
| Polyphonic form pop in Baroque w/ one or more themes that dev by imitative counterpoint |
|
|
|
| Virtuosic solo passage in the manner of an improvisation, performed near the end of an aria or a mvt of a concerto |
|
|
|
| First sec. recurs in tonic. Classical multimvt cycle it appears as last mvt. |
|
|
|
| Chamber music ensemble consisting of two violins, violas, and cello. |
|
|
|
| Compositional procedure in which theme is stated, then altered in other statements; independ. piece or mvt of mm cycle |
|
|
|
| The opening mvt of mm cycle |
|
Exposition
Development
Recapitulation |
|
1st sec
2nd sec
3rd sec of SA form |
|
|
|
| style where rhythms, melodies, or instrum. evoke color and atmosphere of far-off lands |
|
|
|
| borrowed time. Rom music. hesitate or hurries through music expanding written note values. |
|
|
|
| Song structure in which the same music is repeated with every stanza of the poem |
|
|
|
| Song structure that is composed from beginning to end, w/o repetitions of large sections |
|
|
|
| solo art song of 19th century, usually accompanied by piano. |
|
|
|
| Fixed idea; Berlioz’s idea for recurring musical idea that links diff. mvts. of a work |
|
|
|
| leading motive. basic recurring them repping a person, object, or idea. common in Wagner operas. |
|
|
|
| Wagner’s term for his operas |
|
|
|
| Instrum. music endowed w/ literary or pictorial associations, esp popular in 19th cen. |
|
|
|
| 1 mvt orch form that devlops poetic idea, suggests scene or creates mood. Rom era |
|
|
|
|
|
|
| Operatic ‘realism’, a style pop in Italy in 1890’s which tried to bring naturalism into the lyric theater. |
|
|
|
| dance form featuring a staged presentation of group or solo dancing w/ music, costumes, and scenery. |
|
|
|
| total abandonment of tonality. |
|
|
|
| Afro-amcn form of secular folk music, related to jazz, that is based on a simple, repetitive poetic-musical structure. |
|
|
|
| piano whose sound is altered by the insertion of various materials between strings. John cage |
|
|
|
| late 19th cent piano style by afro-amcns w/ syncopated melodies. |
|
|
|
| French mvt dev by visual artists who favored vague, blurry images. |
|
|
|
| exotic scales, unresolved dissonances, parallel chords, rich orchestral tone color and free rhythm |
|
|
|
| simultaneous use of two or more keys. common in 20th cen music |
|
|
|
| Schoenberg method based on particular arr. of 12 chromatic tones |
|
|
|
| vocal style in which melody is spoken at approx. pitches rather than sung on exact pitches |
|
|
|
| 20th cen. technique where notes of melody are dist. among diff instrum. giving pointillistic texture |
|
|
|
| music that parodies another work or works, presenting them in a new style or guise |
|
|
|
| contemp music style featuring repetition of short melodic, rhythmic, and harmonic patterns w/ little variation |
|
|
|
| contemp style w/ rich harmonic language and other elements of Rom. era |
|
|
|
| 20th cent style combining elements of Classical and Baroque music w/ modernist trends |
|