|
|
| transmission of music from person to person, rather than through written means |
|
|
|
| the study of the music of different cultural groups…often represents music that is unique to one cultural group |
|
|
|
| transmission of music by graphic representation |
|
|
|
| a progression of single notes (pitches) upwards or downwards in “steps” (A pentatonic scale is a 5-note scale.) |
|
|
|
| an audible note of fixed pitch ontinuing as a permanent bottom note under other sounding pitches (as the drone note on a bagpipe) |
|
|
|
| relating to that which is considered transcendent or supersensible…is not subject to empirical verification |
|
|
|
| considers the character of the universe by combining speculative metaphysics and scientific knowledge, cannot be empirically proven |
|
|
|
| sometimes called “primitive” or “pre-literate”…More accurately, traditional religions are confined to one geographical area or to one particular society or group |
|
|
|
| not confined to one area…These religions are generally codified and thus can be spread through proselytizing (to convert) |
|
|
|
| derived from Latin paganus (“countryman”)…implies a belief in a variety of nature gods and spirits…generally refers to a believer in the polytheism of the ancient world (Ex: the pagan Greeks, Romans and Celts)…sometimes used to refer to anyone who is not a Christian (or to anyone who is not a Christian, Jew or Muslim) |
|
|
|
| priest-doctor (usually a musician) who uses magic to cure the sick, to divine (discover, declare) the hidden, and to control events that affect the welfare of the people |
|
|
|
| instrument whose sound is produced by vibrating air (flute, trumpet) |
|
|
|
| an instrument whose sound is produced by vibrating strings |
|
|
|
| an instrument whose sound is produced by its own solid, vibrating body (bell, gong) |
|
|
|
| an instrument whose sound is produced by a stretched membrane (any type of drum) |
|
|
|
| doctrine of salvation through Jesus Christ |
|
|
|
| mass, Greek language are important, purpose of it to preserve the origin, timelessness |
|
|
|
| lead singer then group like call and response in Medieval period |
|
|
|
| lead singer, but the group joins at times unlike lining out |
|
|
|
|
release of emotion
Hire a custom writer who has experience.
It's time for you to submit amazing papers!
order now
1. Spirit possession/exorcism music
2. Lament-style spirituals
3. Devotional songs
4. (Medieval period in Europe) Mystical love songs
5. Religious battle music
|
|
|
|
|
a prescribed type of ceremonial, ritualized religious music performed according to an authorized, standard form (Ex: Kyrie)
more formal than devotional songs and not sung in a place of worship
|
|
|
|
|
sung by common people. for everybody, popular or ill folk style outside original place of worship, for love
non-liturgical music
1. Pilgrims’ songs
2. Ceremonial songs
3. Religious “entertainment” songs
4. Religious art music
|
|
|
|
|
|
|
|
experience through ritual, bracketed
psychological perception of time, also called experiencial, ritual time
|
|
|
|
| creation/primal time, (Hopi spiderwoman chant) play active part, participating in story, no change |
|
|
|
| when people ask something specific supernatural, if the ceremony is done correctly, will get it in exchange |
|
|
|
| group experience, usually involves drums and dancing |
|
|
|
|
|
|
| want to show reverence and want to channel spirit of animal, spiritual protection, mystical |
|
|
|
|
(doll also called sunface)
1. concepts/ ancestors, family heirlooms
2. figurines
3. regalia “never changes, some colors
4. dance/music always go together, repository form for survival
longest songs in Native American history
sing vocables, important, secret language, non-lexical sounds, to hide sacred texts
|
|
|
|
|
memory shared by everyone
ancestors coming to America
|
|