| A lively dance in 2/4 originating from Bohemia |
|
|
| Two ways to play “blue” notes |
|
| Playing in between the cracks, bending the notes |
|
| Music you enjoy at home with family and friends |
|
|
| a sustained tone or tones which provide underpinning |
|
|
| A repeated melodic and or rhythmic motif |
|
|
| An african instrument now common in American country and fold music |
|
|
| Two pro- confed. signature songs of the south: |
|
| dixie and maryland, my maryland. |
|
| 2 causes the Hutchinson family campaigned for (or against) |
|
|
| Common themes of 1800s songs |
|
| feminine themes, hot air balloons, cars, loss and longing |
|
| Explain how our nation anthem was written |
|
| drinking song and poem with Francis scott key |
|
| who is Papageno and how did he make his way into parlor music? |
|
| Papageno was a character from the Magic Flute |
|
| Before office, government and factory building were constructed in the 1800s the was was the customary place for conducting most buisness |
|
|
| Why is dance generally controversial in Christian-based cultures such as early america? |
|
| dance thought to be unpure and therefore controversial |
|
| what was one style of dance in colonial america that was viewed as blashopmous? |
|
| couples dances such as the waltz |
|
| classify the instrument: organ |
|
|
| classify the instrument: piano |
|
|
| classify the instrument: harpsichord |
|
|
| one of the first examples of secular music in early US was |
|
|
| military music for morale building |
|
|
| small brass band (also woodwind) music paid for by military officers at social venues |
|
|
| a person who engages in a study, sport, or other activity for pleasure rather than for finical benefit or professional reasons: |
|
|
| Marching music played by primarily fifes and drums and funded by the military |
|
|
| ballad opera premerining in 1794 in pHILLY. ON THE AMERICAN STAGE IT WAS TRANSFORMED FROM A GRUESOME BRITISH TALE TO A SINEY-ESQUE play with a happy ending |
|
|
| from philly, lawyer, judge, 1st american born, degreed composer |
|
|
| virginian, lawyer, music hobbyist, and harpsichord collector |
|
|
| a keyboard instrument in which the strings are plucked by a plectrum ( a small piece of wood bone, leather, or quill) |
|
|
| A single, unaccompanied instrument or voice |
|
|
| most western popular music can be classified as |
|
|
| rare in western music and standard in African and arabian music. there are >1 instrument or coice creating the same melody line, yet each creating music texture via variation but not necessarily creating harmonies |
|
|
| Wrtten txt, lyrics,a dn dialog for an opera (minis the music ) |
|
|
| French-language opera company led by John Davis from 1822-1861 which included ballet and pre-performance dancing (balls) |
|
|
| what did jenny lind endorse? |
|
| beds, sheet music, gloves |
|
| what was the 1st opera star in the us? where did she debut and what laugne? |
|
| Maria Garcia. Itallian debut in Boston. she was the first diva |
|
| what was the 2nd opera star int he US? where did she come form and who was her sponder? |
|
| euro. sponsor was barnum, the theatre owner. Jenny lind from sweeden. |
|
| how did the fact that “home sweet home” bring a british composition affect its popularity? |
|
| It made it more popualar. however, it had no copyrights. |
|
| what 7yr event made opera music possible on the west coast? |
|
|
|
|
| created the shape note // religious entrepenure |
|
| who were little and smith? |
|
| fine tuned law’s shape note and copyrighted it to make money |
|
| why did people blame william billing for the dark age of Protestant psalm signing? |
|
| relied in the originals with out deviiaiton |
|
| 5 things that were change or undine by 1804 because of the “dark age” reform |
|
|
| how did shape note singing help the congregation return to the rightful psalm singing? |
|
| no more improvisation, helped those who were not music literate and acted at a layman for the musical congression |
|
| whos idea was it to move the melody to the soprano part in choirs? |
|
|
| what were the negative of the “dark age” reform? |
|
| limited musical creativity |
|
| Or “solfege” is a method of note learning and pitch identification used primarily but singers |
|
|
| intellectual, moral or spiritual improvement |
|
|
| when a silence of weak beat replaced the expected strong beat |
|
|
| someone who earns a profit from business relating to church |
|
|
| four issues that traditionalists had with the camp meeting |
|
not part of any official worship program
african americans mixed with whites
their adaptations of hymns
some poeple danced |
|
| name 3 services provided by travelling music theatre groups in colonial amreica |
|
music lessons
concerts
participate in church music |
|
| known primarily for its cynicism and social/political criticism, this english work of 1728 by john gay was a forerunner of the american musical and was popular in both colonial america and England |
|
|
| what was unusual and controversial about the new custom of holding concerts in a venue such as trinity church on wall street? |
|
| charging money to go into a church |
|
| explain how brass instruments evolved form straight bugles to the modern day trumpet/ cornet for example |
|
| the development of valves allowed for range |
|
| what was patrick gilmores main inspiration for the national peace jubilee in 1869 |
|
| bring high quality music to all |
|
| how did the saxhorn change the sound of the band |
|
| it gave a more blended sound |
|
| why was the music publishing industry strong int he 1800s? |
|
| it was the best way to reach a wide audiance |
|
| name 4 types of mu that would be found on the program at a typical band concert in the 1800s |
|
| polka, classical, walktz, quadrille |
|
| two poluar touring ensembles int he mid1800s |
|
| germania mu society and the austiran s. ensamble |
|
| family of brass instruments in gratuated sizes similar to an upright ruba |
|
|
| two popular dance forms in the 1800s that made their way into instrumental music forms for listening |
|
| quadrille and schottische |
|
| type of concert brought to the US by louis jillian where audience can stroll and socialize while the music is being played: there tickets were cheap |
|
|
| founded in 1815 this organizations mission was to improve and promote sacred music performance and workd of the prominent euro masters |
|
| boston handel and hayden society |
|
| a large scale religious work for chorus, orchestra, solo singers |
|
|