Raga
Melodic Material Concept
Scale system with tonic importance
Can depict emotion-ragamalas
Svara Kalpana
India Solfedge
Kushaura
Line in mbria
has most essential parts
Kutsinhira
Line in Mbria
flowery extra part
Bira
Sprituals
Makwa
Clapping in
Mahon’era
under your breath singing
Huro
vocables, similar to yodaling
Kudeketera, def and types
Actual words in the song
Fixed-traditional lines
Narrative-story
Mosaic-Little sayings
Gudulka
Bulgarian Fiddle
Horo
improvised dance tune
kaval
bulgarian flute
Pravo Horo
Dance matches meter of horo
Otsvir
Improvised Bulgarian break between verses
zayavki
Bulgaraia small musical phrase which are used to make horos
Karanatak
Music in South India
concert hall music-mostly brahman musicians
Hindustani
Northern India music
more instrument heavy
Periya Melam
South India music, mostly Isai Velalar caste
Sacred music, focus more on improv, virtuosity
Tala
Beat Patterns
use syllables to mark beginning and ending of phrases
Gamaka
Vocal Orenmentation in India music
Gendhing
Gamelan piece for a large ensemble
Sulukan
Gamelan vocal pieces
free rythmn
little instrumental accompaniment
Wayang Kulit
Puppet show, gamelan
Pesindhen
Female vocalist in Gamelan
had concubine realtionship
also has agency in culture with none for women
Gerong
Male chorus
Gongan
phrases marked by gong
Bonang
Kettle Gongs suspended horizontally
Balungan
Melodic skeleton for which genhings are built on
Pathet
modal system
Pelong
seven note pattern in gamelan music
Slendro
5 note pattern in Gamelan
Carioca
Musical style born in Rio
Mixture of pop and Samba
Sitnezhi
motivically based improves played after bulgarian dance
played in many modes usually
Svirnya
tune on which the otsvir is based on