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greek word for music, associated with the 9 muses |
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ancient greek oboe, double pooped |
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area in front of the stage where the singers sang (chorus) |
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a series of four tones in the GPS |
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when the two tetrachords share a note, they are conjunct, when they don’t they are disjunct |
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another name for the tetrachord |
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tetrachord with a note altered by a half step |
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tetrachord with a note altered w/a quarter tone |
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the parts of a catholic mass that change from mass to mass |
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parts of a catholic mass that are the same from mass to mass |
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one syllable ornamentation |
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ornamentation on a syllable limited to 2-6 notes |
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each syllable has its own note |
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solo line followed by group response (vice versa) |
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groups singing (sometimes in stereo effect) |
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repetitive form monks would plug texts into (recitation formula) |
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lead up to reciting tone (one repeated note to fit the text) |
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slight variant in the middle of reciting tone |
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cadence ending on the final |
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addition of new music or new text to a chant |
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entertainers of southern france |
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entertainers of northern france |
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sustained note in bottom and long melisma in top |
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more neumatic, top voice three notes for each bottom voice note |
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substitute sections of polyphony added to books at the end |
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the added text to the long melismas in the discant so it has meaning |
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innovative time signatures |
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repetition in the tenor part |
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alternating measures of two voices |
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standard forms in ars nova |
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ABaAabAB, has the distinguishing A in the middle |
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aabCaabCaabC three parts, more variety |
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more subtle art, rhythmically complex (triple vs. duple meter) |
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