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| countries medelssohn’s symphonies? |
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| 3rd scottish, 4th italian |
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| symphonie fantastique recurring melody |
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| ryhtmic device in schumann and brahms’ 3rd symphony |
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| schumann and Liszt pieces for monument to beethoven |
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op.17 Fantasy sonata
B minor sonata |
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| liszt years of travel II italy |
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Frauenliebe und Lieben
Dichterliebe |
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| Variations on a Hungarian Theme op. 21 no. 2 |
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| Carmen, Djamileh, Fair maid of Perth |
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| Brahms piano works groupings |
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| variations, sonata, concerto |
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| composers inspired or based on paganini |
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| Schumann, Tachmaninov, Proto, Berlioz, Chopin, Liszt |
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| Schoenberg- composition stlye that employs several kinds of tone colors to a single pitch or multiple pitches.
tone- color melody. Distributing pitch or melody among several different instruments |
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| Debussy, Faure, Schoenberg |
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| tone poems of TIchard Strauss |
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| Death and Transfiguration, Till Eulenspiegels lustige streiche, Don Quixote |
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| 2oth century vienniese school |
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Das Rheingold
Die Valkure
Siegried
Gotterdamerang |
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| Aida, Nabucco, Othello, Fallstaff, La Traviata |
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| Shostakovitch brought disapproval from soviet leaders in 1936 |
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| Lady Macbeth of Mtsenk-satirical opera of violence and sex |
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| recorded musical tones or other natural sounds that were transformed in various ways by mechanical and electronic means, and then assembled on tape to be played back |
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| three major influences on Debussy |
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Musorgsky, Borodin, Berlioz, Saint Saens, french impressionism
NOT Tschaikovsky |
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| Firebird, Petrushka, Rite of Spring |
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| Tosca, La Bohene, Madama Butterfly |
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| italian and scotch symphonies |
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| academic festival overture |
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| three places in new england |
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Mahler
“Autumn loneliness” “Drunkard in spring, the farewell |
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| Stravinsky- no vlns or violas |
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La Sonammbula, Norma, Il Puritani
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melodic line always at top |
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| Elixir of love, Don Pasquali, Lucida lamore |
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real people (historical),
melody in soprano,
wrote for voices
revenge
verdi |
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several types of transition
more contrapuntal and chromatic
singers no improvisation
symblic/idealist character,
tragedy
continuous melody
voices as just another instrument
Wagner-leit motifs, own libretti |
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| Balakariev, musorgsky, rimsk-korsakof, Boradin, Cui |
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| piano concerto for Rubenstein, queen of spades, swan lake, manfred symphony, variations on a rococo theme |
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| Tschaikovskys less performed symphonies |
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“winter dreams”
“little russian”
“the polish” |
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| the white and black mass sonatas |
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the titan
the ressurection
a summer morniings dream
the giant
symphony of a thousand |
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Sampson and delilah
the eqyptian |
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like schubert
steady flow of notes, no doubling in piano
verlain poems |
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| vioce range smaller than faure, smaller contour
alor of repeated notes
long recitative like sections
verlain poems |
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| proportional fibinace sequence no=sum of previous two
Debussy and Bartok |
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Bartok
with drums and pipes
barcorolle
musette
chase |
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| mahler did not live to hear these works |
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| Symphony no. 9
Song of the earth |
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| Transcendental etudes, trois etudes de concert, etudes d execution transcendente d’apres paganini |
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