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| Type of polyphonic song in spanish, with several stanzas framed by a refrain. originally secular, later sacred. |
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| 16th century genre of italian polyphony, typically syllabic, homophonic, and diatonic. Melody in the upper voice and marked rhythmic patterns |
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| Composers emphasized the meaning and impact of the text through musical setting. pg 244 for more info |
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| Inspirational poet for many of the musicians, poets, and readers of the 15th and 16th centuries. |
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| Late 16th century french style of tect setting; especially in chansons, in which stressed syllables are given longer notes that unstressed syllables. |
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| German ameteur singer and poet-composer of the 14th through the 17th century who was a member if the guild that cultivated a style of monophonic song derived from the minnelieder |
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| written for primarily unnaccompanied voices, word painting, like italian madrigals, but in English |
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| Written by Thomas Morley in 1601, a collection of 25 madrigals by 23 composers, modeled after Il trionfo di Dori. Each madrogal end with Long live fair oriana. In honor of queen elizabeth |
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| english genre of solo song with lute accompaniment |
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| Franco-Flemish composer who worked in Florence and Rome for almost three decades before returning to france in 1551. Composed Il bianco e dolce cigno which is one of the most famous madrigals. “little deaths” |
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| The leading madrigal composer of the mid 16th century. imbued every detail of the music with rhythm, sense and feeling. |
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| was an aristocrat, also a murderer, found his wife in bed with her lover and killed them both. |
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| Madalena Casulana
Madelena Casulana |
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| Wrote his own poetry, As vesta was descending |
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| English Composer, flow my tears |
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| An instrumental ensemble of 4-1 mmbers. “broken” meant having more than one type of instrument, |
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| Systematic treatise of music, Sebastian virdung, book that describes unstruments and how to play them |
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| “low dance” a stately couple dance marked by gracefully raising and lowering the body. |
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| arrangements of vocal pieces for lute or keyboard. |
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| independent instrumental pieces based on dances |
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| prelude, fantasia, ricecare |
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| Improved lute and keyboard pieces that were used to introduce a piece, fill time, or establish a mode |
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| the most important keyboard genre |
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| light, fats moving, strongly rhythmis pieces based on an earlier vocal model. |
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| Prestigous Musicians, Doge’s private church |
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| works for two or more choirs, Gabriele |
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| St, Mark’s composer, 100 motests and 30 madrigals |
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| brought english composers to france |
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| “a misshappen pearl” 1600-1750 |
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| objectified emotions or states of mind such as sadness, joy, fear, wonder |
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| imstruments play independent parts |
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| new treatment of dissonances |
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| traditional treatment of dissonance |
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| bass line supplied with numbers or accidental signs |
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| performing music that’s notation isn’t complete (like a basoo continuoso) |
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| ornaments added to an entire existing melody. |
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