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| aristocratic composer-poet of northern France |
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| melody is divided into fragments and shared among voices |
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| canon at the unison with independent lines |
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| wooden instrument with fingerholes & brass-type mouthpiece |
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| polyphonic sections of chant that were sung in discant-style |
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| German equivalent to troubadours and trouveres |
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| double-reed instrument, similar to the oboe |
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| songbook collections of troubadour and trouvere polyphony |
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| aristocratic composer-poet of southern France |
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| Franco of Cologne’s treatise on notation and theory |
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| monophonic song of Spain in honor of the Virgin Mary |
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| de Vitry’s treatise outlining 14th c. compositional techniques |
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| polyphony in which voices move at essentially the same speed |
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| a medieval circle dance or the song that accompanies it |
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| polyphonic work with texts in Latin/French above a cantus firmus |
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| wandering scholar/poets who created satirical secular songs |
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| melismatic passage at beginning and at cadences in conductus |
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| stringed instrument with drone and rotating wheel turned by crank |
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| treatise outlining rules for improvising/composing free organum |
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| was the treatise that the Notre Dame School came up with for notation |
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