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take a hook of a famous chant and repeat it over and over |
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underlying voice in a motet |
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Machaut & Phillippe de Vitry |
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depiction of text via musical devices |
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John Farmer — English Madrigal |
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meant to be performed in intimate spaces, without instruments — unaccompanied voices |
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takes place of organum’s use of chant fragments; unites entire mass cycle |
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Josquin de Prez & Palestrina |
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Counts Bardi and Corsi; birth of opera |
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first meaningful opera writers |
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