| The most commonly employed system for the organized composition of atonal music in the period following World War I was the twelve-tone method devised by _________________________ |
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| _________________________ extended the principle of serialization to other elements of music besides pitch organization. |
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| Cubist painters, the Bauhaus school of architecture and design, and neoclassic composers all shared a desire to achieve _________________________. |
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| An important group of six young neoclassic composers arose in _________________________ around 1920. |
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| Paul Hindemith espoused the idea of functional music, or _________________________, as he called it. |
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| The ideal for Soviet music in the postrevolutionary period was _________________________. |
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| The American composer _________________________ composed several important ballet and film scores in the 1930s and 1940s. |
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| _________________________was classically trained but had his first successes as a popular composer and later incorporated jazz styles into major orchestral and operatic works. |
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| Ferruccio Busoni’s Entwurf einer neuen Aesthetik der Tonkunst (Draft for a new esthetic of music) supported the _________________________ movement. |
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