| An important model for the success of a heroic personality in political life at the turn of the nineteenth century was… |
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| Beethoven’s middle period is sometimes known as his… |
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| The Heiligenstadt Testament was… |
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| Beethoven’s reflection on his deafness and his vocation |
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| The poet who wrote the text Beethoven used in his Ninth Symphony was… |
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| Two important examples of the _________________________ are An die ferne Geliebte and Die schone Mullerin. |
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| _________ combined the folk ideal in song with personal interpretation of the song text |
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| _________________________ was idealized by early Romantic opera librettists because he provided a model of a great artist who succeeded despite his disregard for standard rules of artistic form |
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| Italian opera composers in the early nineteenth century often used the process of _________________________ to recycle their music in order to keep up with the demand for new works. |
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| The rescue opera was created in _________________________ around 1800. |
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| _________________________ never achieved much public acclaim and relied for his daily living on the generosity of his friends. |
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| A style that is romance-like and novelistic, concentrating on emotional conflict and climax. |
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| Who claimed that Beethoven’s music aroused “that infinite yearning that is the essence of romanticism”? |
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| Popular in post-revolutionary France; focused on tyranny and freedom, personal strength, and heroism. |
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| Beethoven’s only opera. Was an example of a “rescue opera.” |
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| Variations which do not merely decorate the theme but seem to take on different expressive content or personalities. |
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| Produced some of the most successful composers of lieder. Based style on simplicity and the intention to let poetry speak clearly for itself. Also used folk tunes. |
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| Composer and music director; leader of the second Berlin School |
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| Alternative to the lied. Text was narrative and dramatic, and poetic rhythm was generally irregular. Typically through-composed. |
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| Leading composer of the ballad genre. |
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