Dunstable
movements of masses, setting of antiphons, hymns (England)
DuFay
isorhythmic motet king, wrote for Cathedral of Santa Maria del Fiore in Florence, two tenor parts represented by the valuts on the dome, added trumpets, organ& vielle (string)
Binchois
secular chanson (French song)& love songs (France)
Motet early 1200
discant clausula/ higher voice
Motet- 1200-1300
more upper voices/ tenor keeping chant/ mixed secular and sacred
Motet 1400s
Liturgical- inclusive non mass
Motet ca. 1310-1450
isorhythmic (repetitive)
Motet mid-1500s
sacred text and other languages
Motet
any polyphonic composition with Latin text (including mass and sacred office)
Glarean
wrote Dodekachordon adding two modes Aeolian, natural minor, and Ionian, major (Low countries)
Tinctoris
Zarlino
Liber de arte contrapuncti (not pleased with dissonance) Le istitutioni harmoniche (synthesized&added other ideas)
Ockegham
(Low country) write mass to give to patron, cyclic mass (theme mass/named) extant requiem or memorial mass, canons which other voices come in at same pitch, strict imitation, no fixed forms and less cantus fimirs
Pertucci
Darmonice musices odhecaton collected anthology of chansons
Obrecht
fast worker, wall of sound (thin structure) combines northern and southern
Issac
used consort (family of recorders), music secondary to text, set poem than music, masses, cyclic settings (99 motets and songs)
Josquin
benefited from printing press, no formed fixes, strophic poems, Ava Maria (strict canon, paired voices) parody and pharaphrasing
Paraphrasing
preexisting polyphonic work and fusing into his own mass movements recognice in beginning, middle& end
Parody
borrowing cantus firmis (line not mass)
Monophonic
Homophonic
Polyphonic
1 melodic line
more than 1- multiple voices- melodic line changes but rhythm doesnt
multiple lines that move indpendently of others
Printing Press
Guttenburg
1501- Petrucci- printed staff and notes
Attaingnant- all in 1 step
Madrigal
not one voice over other, through composed (doesnt repeat), notes compliment the text, ensembles, cryptic messages
Arcadelt
no dominant voice, repetative, texture homophony but imitative of polyphonic
de Rore
standard, secular and sacred, expanding range and chromaticism
Madrigals in France
social moves dealing with relationships, light hearted, melody on top voice, dissonance, syncopation
Madrgials in England
wrote around Queen, homophonic, sylablic, hemiola
Weelkes and Morley
Dances
Branle, Pavan, Galliard, Allemande, Canary
Dowland
finest lutenist, combined ballad, consort and madrigals into lute, based on dance rhythms, Lachrumae new style