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| Melismatic generally on the vowel [E], Men’s Choir, Unison, Long lines |
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| Syllabic, men’s choir, unison, scale generally left by a leap |
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| Mostly Syllabic, occassionally neumatic, men’s choir unison, Half step upper neighbor (up and then back down) |
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| Combination of Melismatic and syllabic, scalar, occassionally left by arpeggiated figure down |
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| Mostly syllabic, solo male followed by men’s unison choir |
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| Men and women’s voices in unison, instrumental drone, fairly high set |
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| Male solo, very lyric, almost Italian |
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| Solo female, almost Enya-like, celtic sounding |
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| Plucked guitar intro, played female solo voice, pure voice- very airy and light, chime accompament later |
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| strictly instrumental, dance like |
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| Two male voices, bottom line holding original chant, upper with discant |
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| Old English, sounds Irish, four men, all similar parts, “Sing coocoo” |
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| In Arboris/Tuba Sacre fidei/Virgo sum |
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| Three men, two high voices, one drone as tenor line, dotted rhythm, sounds major |
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| Kyrie, Messa de Notre Dame |
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| All men, high male countertenor, Slow moving lines, long melisma on on vowel [e], distinctive leading tone cadence |
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| Rose, liz, printemps, verdure |
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| Men and women, soprano on top, syncopation, almost sounds major, distinctive leading tone cadence |
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| All women’s choir, high set, syncopation, ringy sounding lower female voice |
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