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| Written by Glarean, which adds 4 modes-Ionian, hypoionian, aeolion, hypoaeoleon |
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| Liber de ark contrapuncti |
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| Written by Tinctoris, the book on counterbook |
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| Written by Zarlino, the foundation of harmony |
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| Organized by Weelkes, Compilation of madrigals by different composers, each ending with “Long Live the Queen” |
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| Published by Nicholas Yonge, Collection of Italian madrigals translated into English |
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| By Ockeghem, No distinctive quality, means “Mass without a name” |
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| *Published in Italy by Petrucci *First printed anthology of chansons *Music dates from about 1470 to 1500 *Composers include those from the late Burgundian era and from the new generation *Two more volumes followed, indicating the popularity of northern composers. *More than half of the chansons are for three voices and are written in older styles. |
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| By Palestrina, Written for the pope. *The melodies are similar to chant *Few repeated notes *The range is limited to a ninth. *Melodies often form an arch. *Leaps are followed by notes in the reverse direction. *Diatonic modes are maintained, and chromaticism is rare. |
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| Compiled by Loys Bourgeois, The book that Psalm tunes were published in; only contains text tunes were composed for each meter of the psalms *Translations of the Psalter appeared in many countries. *Other Reformed Churches, including the Lutheran Church, adapted Psalter melodies for their own services. *The French Psalter influenced the English Psalter and the Psalter brought to New England by the Pilgrims in 1620. *All 150 psalm texts were translated into strophic, rhyming, and metrical verse. |
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