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| also knows as plainsong, monophonic music sung in unison, almost always without the accompaniment of music |
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| short chant specific to the day, sung at the beginning and the end |
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| “Gloria Patri”, standard formula of praise to the Holy Trinity |
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Simple recitation formulas
Intonation
Recitation
Mediation
Recitation
Recitation
Termination |
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Most important religious service of the day
means to dismiss the service (Ite, masse est) |
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| Chants whose texts change each day to suit the religious theme or to honor a particular saint |
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| an introductory chant for the entrance of the celebrating clergy |
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| A petition in Greek for mercy |
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| A hymn of praise to the Lord |
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| a chant of thanksgiving or penance; the final melisma is called the jubilus |
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a chant commenting on the text of the Alleluia (reading of the Gospel)
Many sequences written by Notker Balbulus (ca. 840-912) |
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| an acclimation to the Lord |
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| a petition for mercy and eternal peace |
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| short dismissal, usually sung by a solo Deacon |
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| Order of the Proper of the Mass |
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Introit, Gradual, Alleluia/Tract, Sequence, Offertory, Communion
(I Got AnoTher Six-pack Of Corona) |
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| Order of the Ordinary of the Mass |
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Kyrie, Gloria, Credo, Sanctus, Agnus Dei
King George Can Sing Anything |
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| only one note per syllable |
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| often three to five notes for each syllable of text |
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| lengthy vocal phrase setting a single syllable |
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| chant used instead of the Alleluia during Lenten or pre-Lenten seasons |
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| a chant for the offering before the ritual of communion |
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| choral respond, solo voice, choral respond |
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an addition of music or text or both to a pre-existing chant. Usually added before the chant, rather than after
Many tropes written by Tuotilo of St. Gall (ca. 815-915) |
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Mass of the Dead
Usually omits the Alleluia, Gloria, and Credo
Dies Irae is pivotal to the piece |
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AKA John Cotton, Johannes Cotto, Johannes Afflighemensis
Flourished ca. 1100
treatise entitled De Musica (on Music)
Established eight church modes derived from the Greek system |
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