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-Baroque
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-Italy
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-Classical (also Romantic)
-Germany
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-Romantic
-Czechoslovakia
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-Romantic (also 20th c)
-Finland
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-20th Century
-Germany/USA
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-violin
-viola
-violoncello (or cello)
-double bass (or bass)
-guitar
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-Trumpet
-(French) horn
-trombone
-(euphonium)
-(tuba)
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-flute (piccolo)
-oboe (english horn)
-clarinet
-bassoon (contrabassoon)
-saxophone
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-piano (strings are struck with hammers)
-harpsichord (strings are plucked)
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-drum set
-conga drums
-bongo drums
-cymbals
-traingle
-tympani
-snare drum
-wood block
-xylophone
-marimba
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– 2 violins
-viola
-cello
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-flute
-oboe
-clarinet
-bassoon
-horn
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-2 trumpets
-horn
-trombone
-tube
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-saxophones
-trumpets
-trombones
-rhythm
(jazz orchestra/big band)
-piano, drums, bass, guitar
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Italian terms for tempo (slowest to fastest)
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| Adagio<Andante<Moderato<Allegretto<Allegro<Presto |
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| Double reed woodwind instruments |
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-Oboe
-English horn
-bassoon
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| form of classical music that is composed for a small group of instruments |
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| refers to a number generally assigned by composers to an individual composition or set of compositions on publication, to help identify their works |
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| is a compositional technique in two or more voices, built on a subject (theme) that is introduced at the beginning inimitation (repetition at different pitches) and recurs frequently in the course of the composition. |
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| is a playing technique that involves plucking the strings of a string instrument |
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| the name given to both a musical form and a music genre[1] that originated in African-American communities of primarily the “Deep South” of the United States around the end of the 19th century from spirituals, work songs, field hollers, shouts and chants, and rhymed simple narrativeballads |
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one of several terms commonly used to denote a large-scale musical structure used widely since the middle of the 18th century (the early Classical period)
-Exposition – development – recapitulation
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–The term and formal principle may have derived from the medieval poetic form, rondeau, which contains repetitions of a couplet separated by longer sections of poetry
-recurring theme with several contrasting sections
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| “Father of the String Quartet” |
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