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- communicate specific message and/ or emotion while maintaining an engagement with the view
- write atmospheric/ coloristic music at a specific/ determined speed to coincide with the speed of the film
- most composeres create 2-3 minutes of music per day
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- trailer composers have to compose original music for every type of trailer (30 seconds to 4 minutes in length)
- must capture excitment and mood appropriately
- must SELL the movie in given time
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4 parts to the SCORE
(developing concept of the score)
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- period (historic – instrument choices)
- location and ethnic background of movie
- type of characters leading the film
- overall dramatic theme of movie
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-establishes style of movie before it starts
-must set mood correctly
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4 methods of synchronizing picture with sound |
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- punch and streamer method
- stop watch method
- click track method
- SMPTE (Society of Motion Picture and Television Engineers)
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music editors responsibilites: |
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preparing spotting notes for composer (timings and music cues) |
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orchestrator’s responsibilites: |
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takes piano sketch from composer and
turns it into a finished piece of music
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3 ongoing audio tracks need to be mixed onto one compostie track: |
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- dialogue track (stem)
- SFX track (stem)
- music track (stem)
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foreign distributors may want to keep the ____ and ____ while replacing the dialogue only |
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foreign distributors may want to keep the music and SFX while replacing the dialogue only |
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dialogue mizer upholds the golden rule… |
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“DIALOGUE MUST ALWAYS REMAIN SUPREME” |
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often dialogue is _____ in studio |
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often dialogue is re-recorded in studio |
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a Foley Arist used to recreate footsteps in any environment |
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may be used to recreate some effects if Foley can’t do it
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dubs the music onto the film
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