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· “to color” the starting point, sets the mood of a piece.
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| Classical instrument genre that combines elements of chamber music and symphony, often preformed I the evening or at social functions. |
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· Classical instrumental genre for chamber ensemble or soloist, often performed as light entertainment.
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· leading musical center of Europe in Classical period
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| text or script of an opera, oratorio, cantata, or musical, written by a librettist. |
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| Solo vocal declamation that follow the inflections of the text, often resulting in a disjunct vocal style. |
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· a plucked instrument with 6 strings and many side and sympathetic strings.
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· Quickly ascending rhythmic melody used in Classical-era instrumental music; the technique is credited to composers in Germany.
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3rd movement: · Replaced the minuet and trio in the 19th century.
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| Coda – where in symphony? |
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| Recapitulation, where in symphony? |
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| Minuet (Trio) ABA, 3rd movement |
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| “Fate knocks at the door” |
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| A number often part of the title of a piece, designating the work in chronological relationships to other works by the same composer. |
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| Refers to the catalogue number in Mozart’s output, determined by Ludwig Kochel. |
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· Structure in which musical material, such as a theme, presented in one movement returns in later movement.
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| dates of Classical period |
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| composers of Classical period |
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| Who was Prince Esterhazy and what was Esterhaza |
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· the family that supported Hayden
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| Piccolo and trombone new in Classical orchestra |
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| development section where in symphony? |
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| Rondo (ABACA), what movement? |
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· Virtuosic solo passage in the manner of improvisation, preformed near the end or an aria or movement of a concerto.
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| Turkish Janissary band instruments |
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· do re mi fa so la ti do
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| two types of Italian opera |
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· opera buffa and opera seria
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· The Marriage of Figaro, Don Giovanni and Cosi fan tutte
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· Music that has no literary, dramatic, or pictorial program.
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| sequence of movements in a concerto |
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