1750 – 1820 Bach to Beethoven |
|
The Classic Period lasted from —- to —-; its composers ranged from – to – |
|
|
three movement work. consists of optional introductions, the exposition, developent and recapitulation |
|
|
period of time in which the movement modulates |
|
|
the last section of the first movement in a sonata allegro |
|
|
when the composer exposes the theme in a sonata allegro |
|
|
basic musical form in which the theme is repeated over and over with changes each time |
|
|
compositional form in three parts – ABA and occasionally followed with CDC ABA |
|
|
tuneful main theme that returns several times in alteration- ex. abaca(ba); always starts and ends in a |
|
|
father of most of the classical forms |
|
|
|
|
wrote “Son quallacera tartana” from La Secchia Rapito |
|
|
composer of symphony no. 5 in C minor |
|
|
fargment of a theme; short musical idea that is developed within a composition |
|
|
compositional form in three parts (ABA) sometimes used as a third movement in classical music; faster than a minuet |
|
|
rounds off a movement by repeating themes or developing them further |
|