| Quote: The most influential and prolific composer in the creation of the Baroque concerto: wrote more than 450 concertos |
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| Italian for refrain; a short musical passage in a Baroque concerto grosso invariably played by the tutti; a section |
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Played along the river of the River 10
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composed for public entertainment
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| 50 in number on the musician barge |
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| Brandenburg Concerto No. 5 Notes |
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Ritornello Theme: Part A
Solo: Section 1
Song is harpsichord
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| Quote: George Frideric Handel |
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Most famous composer in Europe and a national institution in England
Reputation continued to increase after his death
Perhaps the finest composer for chorus who ever lived
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| Quote: Johann Sebastian Bach |
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During his lifetime known more as a great organist than a composer
Brought the cantata to the highest point of development
The greatest composer of contrapuntal music in the history of western music
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| Role of percussion in Baroque Era |
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| improvised, made up own rhythms, used for a more festive atmosphere |
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| 2 instruments not in Baroque era |
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Purpose: Sacred entertainment
Performance location: Theatre
Performance style: Concert style
Subject: Biblical subjects
Musical form: Recitative, De capo aria, Chorus
Accompaniment: Orchestra
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also known as Enlightenment;
The Age of Reason ultimately gave way to the Age of Revolution
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Worked for the Esterhazy family
Conductor of the prince’s personal orchestra
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Exposed to a wealth of musical styles
Music lost popularity during the final years of the decade
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| Presentation, contrast, and return |
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| Third movement of a symphony |
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| Note: Sonata-Allegro Form |
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| The standard first movement form in the era’s instrumental compositions |
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| Must always start in tonic key (I) |
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arcs up goes away from tonic, antecedent consequent phrase;
“A Little Night Music” Mozart- has 3 phrases
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“Bridge”
tonality changes from tonic to dominant in preparation for appearance of second theme
in sonata allegro form
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| Modulates to the five dominant (Transition) |
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Note: Sonata Allegro Form
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| 2nd theme -; Melody -; dominant |
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| What section is Re-transition in? |
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common note between tonic and develpment
still in dominant- allows us to go into recapitulation;
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| Has no meaning, no story, organized through form |
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| Horn Concerto in E-flat Major K. 495 |
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A mean of identifying hundreds of compositions Mozart wrote
Devised by 19th century historian Ludwig von Kochel
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| Not related to a biographical event |
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| Master of Classical Opera |
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| Know Symphony No. 3 Mozart |
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| Heligenstandt testament= document |
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| could no longer hear music |
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Unexpected solo
Representing victory from going from major to minor in Movement 4
Written in C minor
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