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| melodies of the catholic church |
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| The opposite of monophonic (moniphony) is_____ |
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| Church music performed during worship or a religious rite. |
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| song structure whear every verse of the text is sung to the same musical tune; same as song verses |
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| each syllable of text is set to a single note; (this is usually found in antiphons and psalms) |
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patterns of one to four notes per syllable of text
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unlimited notes per syllable of text
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| 1962-1965; the Vatican announced that not only Gregorian Chants had to be used in church, other music couls also work |
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| a long melisma (musical decoration) placed on the final syllable of the Alleluia. The singer sings “alleluia” without the jubilus, and then the choir repeats the word “alleluia” with the melisma added |
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additions of new music to pre-existing chants. Three types of additions:
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1. new melismas/music without text
2. addition of a new text to a pre-existing melisma/music
3. new verse or verses, consisting of both new text and new music
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Ionian
Dorian
Phrygian
Lydian
Mixolydian
Aeolean
Locrian
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| A chant or anthem recited or sung after a reading in a church service. |
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| The earliest genre of medieval polyphony; a chant with at least one voice added to enhance the harmony. In its earliest stages, organum involved two musical voices that moved in parallel motion on a consonant interval (usually a Perfect 5th or 4th) and began and ended on a unison (the same note). Organum was originally improvised; while one singer performed from music another singer would improvise. Over time, composers began to write added parts. |
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| Paris 1170-1200; the first motets were composed; a group of Parisian composers developing new compositional techniques |
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| 1st known composer of polyphonic organum; wrote polyphonic motets with different text in each voice, rhythmic modes; member of the Notre Dame School |
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| composed polyphonic organum (and started three and four-part polyphony); wrote polyphonic motets with different text in each voice, rhythmic modes; member of the Notre Dame School |
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